LoL Universe Indexing and Search

Separate, but never parted, Kindred represents the twin essences of death. Lamb’s bow offers a swift release from the mortal realm for those who accept their fate. Wolf hunts down those who run from their end, delivering violent finality within his crushing jaws. Though interpretations of Kindred’s nature vary across Runeterra, every mortal must choose the true face of their death.

Kindred is the white embrace of nothingness and the gnashing of teeth in the dark. Shepherd and the butcher, poet and the primitive, they are one and both. When caught on the edge of life, louder than any trumpeting horn, it is the hammering pulse at one’s throat that calls Kindred to their hunt. Stand and greet Lamb’s silvered bow and her arrows will lay you down swiftly. If you refuse her, Wolf will join you for his merry hunt, where every chase runs to its brutal end.

For as long as its people have known death, Kindred has stalked Valoran. When the final moment comes, it is said a true Demacian will turn to Lamb, taking the arrow, while through the shadowed streets of Noxus, Wolf leads the hunt. In the snows of the Freljord, before going off to fight, some warbands “kiss the Wolf,” vowing to honor his chase with the blood of their enemies. After each Harrowing, the town of Bilgewater gathers to celebrate its survivors and honor those granted a true death by Lamb and Wolf.

Denying Kindred is to deny the natural order of things. There are but a wretched few who have eluded these hunters. This perverse escape is no sanctuary, for it only holds a waking nightmare. Kindred waits for those locked in the undeath of the Shadow Isles, for they know all will eventually fall to Lamb’s bow or Wolf’s teeth.

The earliest dated appearance of the eternal hunters is from a pair of ancient masks, carved by unknown hands into the gravesites of people long-forgotten. But to this day, Lamb and Wolf remain together, and they are always Kindred.

Tarnold knew the performance was doomed when all his playwright’s tricks were exhausted. His players were lost to performance jitters. Perhaps the text was to blame, or the superstitions surrounding the performance of a dead scribe’s unfinished work, but each mummer had succumbed to one form of unprofessionalism or another.

Artlo, who played a character known only as the Philosopher, wouldn’t stop dying. Each time he pantomimed his last breath in the company of that kindred pair of macabre spirits known as the Lamb and the Wolf, he prolonged his death rattles to the point of absurdity. This time, Nenni had laughed so hard her Lamb’s mask fell off her face. It landed on the ground with a loud crack.

Emile removed his Wolf’s mask. Its sharp, jagged edges were chafing his jowls to pulp. He winced in pain—Tarnold knew he was about to ask for the poultice again.

“Stop!” Tarnold said. He did not need to yell. The Mummers’ Round’s renowned acoustics ensured even the eaves-perchers, with their half-copper admission, could hear the softest sigh with clarity.

The old theater rested near the lord castellan’s hillfort and provided a nice glimpse of the dark forest. On banquet nights like tonight, nobles descended from the castellan’s manse to drunkenly take in the mummers’ theatrics. A displeased crowd of drunken nobles was worse than the humiliation of a failed play.

The actors released their poses and turned to face their chief dramatist.

Tarnold rubbed the bridge of his nose with his fingers and looked to the wings, where a mustachioed man, dressed in black finery, leaned against one of the story stones.

“Duarte,” Tarnold said to the well-dressed man. “Buy me as much time as you can.”

Duarte nodded in understanding. “I’ll hold the audience until I hear your sign.”

“Do not disturb us, even if Lady Erhyn herself shakes off her malaise and demands a preview. We are on the verge, Duarte. We must fall together to rise together!”

“Rise we shall, Tarnold. With the gust of life.” Duarte kissed the palm of his hand and placed it on the story stone for good luck. He disappeared from the stage and exited the theater. Silence pervaded while everyone waited on the sound of the heavy bolt sliding shut.

Once they were sealed within the Mummers’ Round’s walls, with the sun dipping closer to the evening, Tarnold unleashed his temper.

“Ask a Great City boy for water, and a Great City boy will bring you fire. There is to be one death, and one death alone, Artlo.” He turned to Nenni. “Stop laughing at Artlo’s nincompoopery, you daughter of Skaggorn. Shake off your provincial humors and exude the cold menace of death.” Finally, he pointed to Emile. “I can see your blood dribbling down your cheek. Dab your cheeks.”

“Please, let me fix some padding to the inside of this accursed wolf mask.”

“Project through the pain! Did Soates complain while writing her Kindred Fables on her deathbed? No. Be honored! One of her own heirlooms chafes your cheek.”

“This one doesn’t fit me,” Nenni said. She had picked her lamb mask up off the stage floor. “It keeps sliding off.”

“Then use straps!” Tarnold said, pulling off his own belt to throw it at Nenni’s feet.

Endless hours of rehearsals had done nothing to prepare the troupe for the performance of Soates’ final, unfinished story. Part of that, Tarnold had accepted as his own fault. As the chief dramatist of Alderburg’s greatest—and only—theater, the grim task of finishing her story fell to him.

“Lambs in the Orchard was Soates’ final gush of madness. The very last of her spark is here, in our hands... and you all choose to desecrate her memory, picking at it for your own vanity and comfort. She spent her final moments coaxing truths from the impending nevermore. Had death not stilled her hand while writing this very scene, perhaps we would all have a far greater understanding of our own brief and tragic existence!”

The actors remained silent, chastened even, until Artlo cleared his throat and spoke up.

“With respect,” the gangly Demacian started. Tarnold knew Artlo meant the opposite, and rolled his eyes to show it. “Perhaps an unfinished work is simply not meant to be finished by another.”

Tarnold sensed an attack on his integrity. They had had this argument over and again. “Are you suggesting that this production is a work of sacrilege?”

“We seem unable to replicate the emotions of a master writing against time.”

“Are you mad? We are out of time!” Tarnold pointed to the dwindling rays of sunlight piercing the wooden walls of the theater. A chilly sensation swept through him.

“Perhaps, we perform the bits we know and leave the unfinished unperformed. Is that not a better way to honor Soates? You must acknowledge, Tarnold, this,” Artlo said, pointing around himself, “does not work!”

Artlo was right. They had failed to recreate the spark found in the prolific bard’s other fables. Their ailing patron, a Soates devotee, expected the impossible—an ending to an unfinished work. In desperation, Tarnold had authorized Duarte to travel to King Jarvan II’s Great City to the west, and hunt down the bard’s original masks. They were ancient and therefore costly.

Tarnold’s head slumped, his shoulders followed, and then he was on his back, struggling to breathe. His heart raced against the quickening hour.

“We have to cancel the performance.” He rubbed his forehead, trying to eke out some last shred of luck, but finding only sweat. “Worse, we’ll be forced to offer refunds.” He gasped out. “We already spent the gold!”

“It’s probably not a good time to mention that the lamb mask is broken.”

The color drained from Tarnold’s face. “What?”

“When it fell off my face, it broke. It was an accident!” Nenni held the pieces of the mask in her hand. One of the wooden ears had snapped off. “I think I can strap it back together.”

“This is utterly majestic.” Tarnold almost laughed. “That’s what we spent the gold on. They were Soates’ original masks. They’re on loan!”

“She said it was an accident,” said Emile.

“Let me think.” Tarnold stood up to take in the theater. Its storied round had existed for centuries. The story stones were the foundation of the Mummers’ Round. The circle of towering flagstones had stood in the theater’s location long before anyone settled the Nockmirch. Over the years, wooden viewing platforms were erected to allow more a better view of the theatrics and rituals performed inside the round. Performers and singers notched the pillars with their sigils, leaving their mark upon hallowed grounds.

The theater had been home to Tarnold during many difficult times. Now, under his stewardship, it was the source of all his sorrows.

“A broken mask tells two stories,” said a voice from the middle balcony, reserved for the wealthiest nobles. Even in his loneliest moments, Tarnold dared not rest his head on those fine cushions. “Three, if you consider the tale of the maskmaker... Alas, no one wishes to hear that story.”

“We agreed for no visitors during rehearsals!” Tarnold said to his performers.

“She’s been here all night,” Nenni said. “We thought she was with you.”

Had she? It was possible. Tarnold had battled insomnia for weeks. His attention snapped to the woman in the golden seats, which were reserved for the Lady Erhyn herself. Two summers ago, King Jarvan II’s little heir had sat upon those velvet cushions to enjoy Tarnold’s rendition of The King of All Fishes. The boy had clapped loudest as the final curtain fell.

“Who are you?” Tarnold said. “Step into the light.”

The woman came forward, but the light illuminated little of her mystery. Her eyes were distant stars shining through mist. She wore a ghostly half-mask with a curious twirl of a twig sprouting off the top. Upon that sprig was a single dark leaf. Her elegant gait sang of nobility, and Tarnold finally recognized the crest on her gown.

It was their patron, recovered from her malaise.

“My lady Erhyn, I did not recognize you! Please forgive me.” Tarnold offered a respectable bow. “Tell me, what mask is this that graces your face? It is familiar yet beyond memory.”

“It is made of eldlock.” She spoke in a calm voice. Her words were clear, even as she whispered. “The stories tell that any wood removed from an eldlock will continue to blossom and flower in season with its mothertree, as long as it still stands. No distance may sever their bond.”

“It is exquisite, my lady.”

“I have interrupted,” Lady Erhyn said, gesturing to the actors. “Perhaps I could suggest a change.”

“Why, of course!” Tarnold fidgeted with his hands. He looked to the wings, and to the stage. The mummers were keeping their mouths shut, for once. “Advice from our favorite patron is always welcome.”

“All actors were masked in Soates’ day—perhaps all must don masks to channel the strange spirits she saw at death’s door, as she scribbled furiously into the night’s embrace.”

“I like that!” Artlo said. “Where is the casket of masks? There were others in that trunk,” he called as he vanished behind the stage.

“Now, wait, let’s talk this—”

Tarnold was silenced by the sight of the gaunt lady with the eldlock mask clasping her hands together. There was something off about their benefactor.

Before Tarnold could put his finger on it, Artlo returned onstage, dragging a trunk that was as long as he was tall. The name Q. W. Soates was engraved on its long side. Suddenly, it struck Tarnold how much the old trunk resembled a coffin.

Artlo lifted open the heavy trunk’s lid. “Smells like dead poets,” he said.

The man really has no taste, Tarnold thought.

A heavy creak of rusted hinges reverberated through the round like the howl of a starving dog. The other two actors craned their necks to peer inside.

“Before you choose,” the woman in the eldlock mask said. “Please heed these next words wisely. The hour is late, the show waits to play, and tonight can be truly memorable if all choose the mask that is right for them, for the spirits we become...”

“...Inhabit us,” Emile completed.

“The mummers’ tenet,” Nenni said.

“Whatever flavor of madness this is,” Artlo said, a grin spreading on his face, “I want to be a part of it. Come, Tarnold. Even you must agree that at this late stage, we must perform with the gust of life.”

“Intrepid,” the lady said.

Tarnold heard the hint of a strange smile on her face. He couldn’t remember... had the nobles’ balcony not been empty when Duarte left? The whole theater was empty... Lady Erhyn struck him as different now, too. She seemed gaunt and haunted. Perhaps the noble lady Erhyn hadn’t entirely shaken off her affliction. The evening chill was settling in.

“My lady, I am most pleased at your recovery. Perhaps I can fetch you a cloak?”

“Now, this is the mask to honor a forgotten poet,” Artlo said.

Lady Erhyn waved off Tarnold’s offer, turning to Artlo. “An ominous choice. The Vulture picks at what remains, and when nothing is left... it flies on to perches far removed from here and waits for the next meal.”

“Pecking at Soates’ legacy sounds like a feast.” Artlo turned around and showed off his guise: a bone-white mask with a long, hooked beak. The gangly man resembled a carrion bird.

The gaunt lady approached the stage. She seemed so ancient, yet hale and graceful in her moves. Her skin did not look like flesh. It reminded Tarnold of plaster, after it had been set and smoothed. Her hair was the very night itself, radiating outward in a wavering embrace. He felt as if the breath were stabbed out of his lungs. How could he have ever mistaken the two?

“You’re not Lady Erhyn.”

The actors were oblivious to Tarnold’s epiphany. A chilling swoon descended upon his heart. Its beating pulsed loudly in his ears, nearly drowning out the actors’ words.

“Switch masks with me,” Nenni said to Emile. “Your soft skin can’t wear such a handsome mask. My skin’s weathered worse, I’ll reckon.”

“If you want to wear that agonizing thing...” Emile offered the wolf mask to his stage partner. “I mourn for your lovely cheekbones.”

The two slipped on their swapped masks.

The walls whispered as a gust of wind swept over the Mummers’ Round. Shutters clacked shut. Tarnold heard voices in that swift and swirling breeze.

“Heartbeats, Lamb. Here,” a deep voice growled.

Tarnold looked for the source, but could only see his mummers. They seemed to have forgotten all about him. Then, in his left ear, sang another voice.

“Bits of light,

Dancing in the dark,

Playing on, playing on, playing on...”

The words flew through Tarnold with a jolt. On the stage, he saw Nenni and Emile, hand in hand, wearing each other’s masks. Then he saw the otherwordly words were coming from the actors’ mouths.

“Yes,” Emile said, shifting his voice up to a lilting and haunted falsetto. “I see my darlingest Wolf now.”

“Ahhh.” Nenni let out a relieved growl, her voice guttural and deep. “That feels better, little Lamb.” The actor dropped down on all fours, and stretched lower than a human should be able to. “Is it time to play chase?”

“When the veil lifts,

You shall claw and bite,

My arrow swift, and on to the next act we go.”

Tarnold crossed the round, keeping his eyes fixed on the gaunt lady. “What trickery is this? Please, leave us be!”

The woman turned to Tarnold. “I am not your patron,” she said.

Tarnold looked to his masked actors. “All of you, clear the stage. Go home. The performance is over.” He raised his voice, shouting toward the barred entrance. “Duarte!”

“Tarnold...” The woman who was not Lady Erhyn turned and looked at him with the enormity of her vast, glimmering eyes. Even behind the eldlock mask, they shone with a light born of darkness. Their eerie sheen pulled Tarnold’s attention out of his body. Whoever this was, he knew her and did not; feared her and sought her. Running from her felt foolish, and reasonable. Without deciding to, he walked toward the stage.

“Take the masks off,” he said. “Now. This is madness... This play is cursed! Don’t you see? What if, in the conjuring, Soates did not happen to die while writing the play, the act of writing Lambs in the Orchard was itself what killed her... The narrative itself is a curse!”

It was not the gaunt lady, Nenni’s wolf nor Emile’s lamb that replied. Artlo, or whatever spoke through Artlo, answered in a screeching voice. He spread his arms high and stood upon one leg, like a carrion bird.

“The author waits for my beak,” he said. The corners of his lips cracked and split open. “Soates is truly dead... as none remember her now as she once was.” Tears ran down Artlo’s stretched cheeks. The voice stilled Tarnold’s heart and stopped him in his stride. “Soates flies in my wake, soon lost and forgotten. Words on a page. A name on the wind. Shreds... nothing more.”

“Shreds of Soates is still Soates,” said the gaunt lady.

“He ceased the performance...” Whatever spoke through poor Artlo didn’t care how much pain it caused the man’s body. The actor’s arm violently wrenched forward and stretched, its bony hand pointing an accusatory finger at Tarnold. “And he wears no mask...”

“You are so close to Soates,” the woman said to the dramatist. “Choose a mask, and see her final scene come alive.”

He thought about running from the Mummers’ Round. He pictured himself fleeing up to the lord castellan’s fort on the hill, or into town. What would he find in Lady Erhyn’s house? He looked to the gaunt woman. The sun had almost set. The evening cacophony of insects and night birds chirped out their greetings to the coming night. How many nights had he dreamt of Soates’ final moments, of the final scene...

“Everyone must wear a mask,” the woman said.

Mouth agape, Tarnold nodded in agreement with the woman in the eldlock mask, that dark leaf dancing in an unfelt breeze.

“If I must choose a mask, then I confess, I know the one I would select is not in that trunk, nor is it on the stage.” He felt life return to his limbs. His bones were stiff and unwieldy... but that was a temporary condition.

The gaunt woman smiled. “You wish to wear my mask? That is a most excellent decision, dear Tarnold, a man of creativity and curiosity. Come and remove it from my face.”

“I shall take your mask, and become you. May the spirits we become...”

“...Inhabit us deeply and truly,” she finished.

When Tarnold did, and placed the living eldlock mask on his face, he saw, finally, the true ending of Soates’ play. It was flawless and terrible, life-giving and breathtaking.

“Places, my friends and fellows,” he said. “Our tale waits for no one. Let us fall together to rise as one, and sing our harmonies with the gust of life.”

“One last gust,” replied Lamb, Wolf, and Vulture.

And together, they played.

Duarte had kept the news about Lady Erhyn hidden from Tarnold all day, even though the truth of her passing threatened to burst forth from his lips. Her malaise carried her off in kindred company before dawn, or so the new lady of House Erhyn had said. The news could break the morale of the entire troupe. Tarnold, he knew, would take it exceptionally hard.

But just as sorrow weighed down Duarte’s heart, there was a brightness, an exciting turn of good fortune beyond the tragedy. Lady Erhyn, on her deathbed, bade her estate to fund the Mummers’ Round, and Tarnold specifically, in perpetuity.

However, as the hour drew later, the inebriated nobles grew weary of the wait. Belligerent and insulted nobility often led to lashings, mockings, and worse: sanctions against future endeavors.

As Duarte was about to address the amassed watchers, daubed with ashes and charcoal in mourning of Lady Erhyn, he heard Tarnold’s signal to open the doors.

He rushed to the gate and removed the heavy deadbolt. The audience rushed in and stopped short as they found the actors posed upon a stage covered in wilted black-stemmed roses. Their buzzing anticipation was hushed by the macabre tableau. They quickly and quietly found their seats. Lady Erhyn’s seat of honor was the only empty spot in the house.

The actors held their strenuous positions while the noble audience waited for Soates’ long-lost and unfinished masterpiece to finally begin.

Duarte saw no sign of Tarnold. It was unusual for the dramatist to desert his cast on opening night—normally he would greet the audience before watching from the wings with a bottle of wine.

He turned to inspect the opening stance. Nenni and Emile were locked in a mortal embrace. Nenni, wearing the wolf mask, held an arrow that seemed to stick directly into Emile’s side. Emile’s hands were wrapped around Nenni’s throat.

Artlo, who was supposed to be playing a philosopher, now inexplicably wore a mask that resembled a dirge crow. He perched atop a prop tree, suspended over the other pair, his arms outstretched like great wings. Dead flowers hung from his arms like feathers.

They weren’t even breathing...

The audience stayed silent, eagerly awaiting action, but Duarte realized something was amiss. Backstage, Duarte checked the dramatist’s favorite perch. There was no bottle of wine, and no Tarnold, either.

Instead there was the last surviving copy of Lambs in the Orchard.

He thumbed to the last page. The story remained unfinished, but there was a new line written in Tarnold’s steady hand.

The end is not for those who wear no masks. She showed me, and it was beautiful.

The colossal brazier flared to life, its flames reaching high into the air. In times past, the gathered tribes would use this as the mark of the festival’s beginning.

The harvest festival had always been the largest celebration of the year for the tribes, and one of the last before winter set in on the plains. As the fire was lit, cheers should have echoed up the frozen slopes of the mountains, calling down blessings from the Three Sisters. Now, though, the mass of gathered Avarosans remained silent as they turned away from the flames to look up to the stage where Ashe stood.

She let her eyes roam over them. No festival had ever seen so many gathered together, and she knew they had come to see her.

She grabbed her bow and unslung it, the now-familiar piercing chill of the True Ice surging through her body. The cold was still painful, even after all her time with the weapon—but now she welcomed it, using it to focus and block out distractions. She lifted her gaze from the crowd to the roaring flame, and took a deep breath as she pulled back the bowstring. All other sounds of the festival faded.

A crystal arrow of pure cold formed, beckoned forth by the deep magic coursing through the bow. Ashe held her breath as she let it continue to channel magic through her arms. The temperature on the stage plummeted, frost creeping out from beneath her feet.

When the cold threatened to finally overwhelm her, she released her breath and let the arrow fly.

It arced high over the crowd, and slammed into its target with a deafening crack. In an instant, the brazier was frozen over, the dancing shapes of the fire enveloped by the spreading ice. The setting sun shone through the crystalized flames and onto the crowd below, and finally the cheer broke out. The crowd invoked the blessings of the Three—Lissandra, Serylda, and Avarosa herself, reincarnated in Ashe.

Ashe kept her address short.

“Avarosans! Never before has a harvest festival seen so many. Sit with your kin from across the snows—we are one family now. Eat, drink, and enjoy!”

She smiled as the crowd cried out her name. She raised her bow high, and the cheers rose higher in response.

Inwardly, she grimaced. As so often, she wondered if it was her leadership that drew them all together, or the weapon she carried. It was the symbol of Avarosa, and many in the Freljord believed that, as its wielder, she was Avarosa reborn. Ashe slung the bow over her shoulder and shook the thought. Why they joined wasn’t as important as what they had become. She hopped off the stage and moved into the crowd as they dispersed to feast-laden tables.

The boisterous tribes mixed together, sharing food, drink, and tales of hunts past. The Stonepicks described the warm yet treacherous southern mountains. Ashe cheered with the others when the Red Snows recounted the defeat of the Noxian warbands that had tried to advance inland from the coast. A warrior from the Ice Veins, storied blizzard walkers one and all, clapped Ashe on the back as she passed, sending a strange chill through her.

All these and more had responded to her call and joined the festivities. All had pledged themselves to the Avarosans, and each tribe needed her to be something different. A prophet, a savior, a mediator. A Warmother.

Ashe would be them all if she could.

As she neared the far end of the feast, though, she froze. At the last table, sitting somber and removed from the rest, was a group of Iceborn that she knew all too well—the Snow Followers, vengeful zealots who had slaughtered a whole tribe only months ago.

A tribe whose only crime had been joining the Avarosans.

A large woman, doubtless their leader, rose and approached Ashe. “Warmother Ashe, Avarosa’s chosen, wielder of Her divine bow. My name is Hildhur Svarhem, truthbearer and Warmother of the Snow Followers.”

Ashe imagined the sight of the scorched huts again, the screams of her people dying in agony, and her fury ignited. The crowd around them quieted as Hildhur continued, whispers spreading quickly. All gathered had heard of what the Snow Followers had done.

“We swore an oath that no faith-traitors would ever again follow those falsely claiming to be Avarosa reborn. Your warriors fought bravely, but not well.” She unslung a large war-axe from her back, its blade coated in a thin but clear layer of True Ice. A true Iceborn, she bore the discomfort of the weapon’s chilling effect silently.

Ashe measured the woman’s wide stance, counted the few steps between them. Dried blood matted Hildhur’s armor—more Avarosan blood? Ashe’s muscles tensed as she prepared to move. She was ready for any attack.

What she was not ready for, however, was for the Warmother to kneel, lower her head, and offer up the war-axe with both hands.

“Forgive us, Warmother Ashe. I did not know then what I do now. I came to challenge you before all your followers, to unmask you as a false prophet. But the magic you wield is beyond any I have ever witnessed. None can deny that She speaks through you. I offer you my axe, Joutbane, and my head. Spare my people, that they may prove their worth by hunting, farming, and dying in your name.”

Each of the gathered Snow Followers followed their Warmother’s example, kneeling in deference.

At once, voices from the crowd called for vengeance. “Death to the raiders!” they cried.

Barely more than smoldering ruins when Ashe had arrived, the skeletal remains told the story of a village surrounded. The few warriors had been easily identified, for their bodies were untouched by fire, but hacked down and left for the crows. The rest of the tribe had hidden in their homes, praying for mercy, or simply a quick death.

They received neither…

Eyes welled up with fury, Ashe reached for the axe. She would take Hildhur’s head, as a warning to any who would—

As her hand clasped around it, and the True Ice sent the familiar spike of cold through her arm, Ashe felt her bow beginning to radiate against her back. A slow, chilling pulse, like a winter breeze.

Her mind calmed.

“Stand, Hildhur,” she said, looking down at the war-axe.

Hildhur rose, furrowing her brow in confusion. Ashe met her probing gaze.

“The Snow Followers have shed the blood of my tribe, and they are my enemies,” she continued. “But you have shown humility and remorse, here and now. You are not the Snow Followers any longer—from today forward, you are Avarosan, and that makes you family. You have nothing to fear from me, cousin.”

She thrust the war-axe back into the woman’s hands, and the tension in the air broke. Soon enough, the celebrations were underway again, the joyous feelings redoubled by forgiveness and mercy. Ashe walked to everyone seated at the table, welcoming each in turn.

As she turned from them and walked away, she was careful to keep her grief in check. Her heart still burned, but her people needed her to walk a different path than that of revenge. She played her fingers along the bowstring, seeking comfort in its chill.

She would be better. She must.

My dearest Elise,

It has been far too long since we last met, and longer still since you bade me visit you. Surely you have not forgotten how much I esteem you? Forget me not, my darling; I worship the very ground your lovely legs tread…

You are more radiant each time I see you, my lady. Your pale skin shines with an incomparable luster. As you pass in the streets attended by those unworthy of your attention, I am caught helpless, enraptured. If only you would favor me with your glance!

Shall I call upon you tonight? Last I came to your abode, there was no answer, but if you would not object to me letting myself in, I would lay such presents at your lovely feet. Roses from my family’s gardens, as red as your lips…

Would you dine with me, my queen? Perhaps this time, I might entertain…?

If you would not take it amiss, the presence of the cobwebs in your home leaves me somewhat… unsettled. Should you so desire, I have a maid who would happily attend to these matters, if so instructed.

Please, say you will see me again! I know better now than to dispose of your little house guests, which are no doubt as helpful as they are harmless. I promise my mistake will not be repeated.

I believe I saw one of your… pets… adorned with an expensive-looking headband given by Lord Istris to his wife some years ago, but surely it is not the same one?

If that piece did not please you, perhaps I might offer you a priceless diadem from my collection, instead?

To ascend the stairs of your home always seems to take an eternity, and though your pets unsettle me, I climb each time with fond eagerness and admiration in my heart. At the top lies my lady love, my slender goddess, my queen!

Oh, Elise! You captivate me! Your beauty arrests me, and I am powerless in your tender embrace. You have only to ask, my love, and I will give you my heart.

Yours without question & endlessly devoted,

Emet Sassen

Renata Glasc’s heels click angrily against the marble floors on her way to the front door. It’s a long walk, and her annoyance grows as the bells screech out the same cloying tune a second time.

The mechanical fingers of her left hand unfurl as she reaches for the latch, twisting and snapping into the necessary shapes, embedding in the bespoke lock as its one and only key.

She throws open the ornate copper door and looks down at her visitor. “Mave.” All of Renata’s high-ranking subordinates had been informed that her priority for the evening was debuting her Decanter at the Vesella Novelty Gala.

“Ms. Glasc,” the shorter woman says with a curt nod, her prosthetic iron eyes rattling against the glass of her gel-filled goggles. “Sorry to interrupt.”

“It must be important.”

“We’ve gotten wind of a new type of breather. Not just a filtration unit. An air purifier.”

Renata’s eyes flash. “My devisers said we had nothing to worry about on that front.”

Mave shrugs—not her department.

“Who’s manufacturing it?”

“Baron Midenstokke. Not sure where yet.”

She glances at her gaudy Piltovan clock. The gala begins in just under two hours, her presentation slot is at precisely 21:05, and she hasn’t even had time to pick up the Decanter from the laboratory yet… She sighs. It looks as though the gala will have to start without her.

Time to get the night back under control.

Basile, a worm of a man, grovels at Renata’s feet, dirtying her office floor with his soot-stained tears. “I’m sorry,” he chokes out, breath still rank from whatever swill he’d been drinking when she’d interrupted his visit to the Corrodyne Taproom. “I’ll get the money to you in a week. Two, at the most.”

Renata says nothing, letting Basile squirm and sob on the floor a little longer. He had come to her for a loan six months ago for his wife’s replacement leg after an accident at a machinist’s shop. Renata gave him what he asked for, and got him a well-paying factory job to boot. But after his wife died from sepsis and Basile tried to drown his sorrows at the taproom… it’s no surprise he can’t pay.

It’s what she’s counting on.

“Do you think,” she asks finally, “that I need that money? That I would even miss it?”

“I…”

“I’m not interested in money, dear Basile. Keep it.”

Basile’s eyes fill with tears of gratitude. “Thank you,” he whispers. “Ms. Glasc—”

“But.” She holds up a finger to quiet him. “There is something I need from you.”

“Anything.”

“You’re still working for Midenstokke, yes? Got a nice little promotion last month?”

Basile’s face falls. Not everyone has the stomach to get between two chem-barons. He swallows hard. “I can get you your money in… in four days, Ms. Glasc.”

“No, Basile.” Renata Glasc leans down. She can see the sheen of sweat on his forehead. “You’ll get me the information I need, and you’ll get it to me within the hour.”

Elodat carefully moves aside the vials and burners, the metals and wires, the tools and masks that litter her own private workspace, and lays out the first few pages of designs. Renata watches as the deviser dons a loupe, looking closely at all of the details that make these new breathers tick. There are few she would trust with this new alchemical technology, but Elodat has proven her worth time and again since she first entered Renata’s employ at age twelve.

“These are unbelievable,” Elodat breathes reverently. “No filter system, no place for the toxins in the air to go. They just… destroy the toxins. Eliminate them completely.”

“And you understand how it works?” Renata asks. “Would you be able to replicate the results in a similar product?”

“Without question.” Elodat’s fingers twitch excitedly. “Is this my next project?”

“It is.” She pauses. “But make some part of it necessary to replace. Filters are a great way to keep money rolling in. Find our version of that for a purifier.”

Renata looks at Mave, who’s standing in the corner near the door and awaiting instructions. “We’re sure about the factory?”

Mave nods. “My scouts confirmed it. Just beneath Midenstokke’s dance hall in the Promenade as Basile said.”

“Excellent. 22:30, then. That should give us both plenty of time.”

Mave turns to leave, but Renata stops her and glances at the deviser. “Elodat, the Decanter’s show-ready, yes?”

Elodat snorts as she marks up the design documents. “Of course, Ms. Renata.”

Beside the deviser’s workstation sits the Decanter prototype. A weapon. A tool. A mechanized wonder attuned only to the gestures of Renata’s left hand. All elegant lines of gold and brass, both sinuous and sharp, protective, yet delicate. Bubbling inside the contraption is the glowing magenta liquid that encompasses Renata’s entire inheritance.

Renata twirls one of her mechanical fingers in the air. In response, one of the vials attached to the Decanter fills with a pink gas. She plucks a breather from Elodat’s desk and grabs the vial, clicking it into the mask in place of a filtration unit.

“Make things easy on yourself,” she says as she tosses the mask to Mave. With a nod, Mave exits.

“Um, Ms. Renata?” The deviser looks at the floor as Renata turns back to her. “How are my parents? I haven’t seen them in… yeah.”

“They’ve just bought a house,” Renata says casually. “And I’ve found work for your brother and his fiancé at a cultivair. Your work has kept them very happy.” A pause. “You should visit them.”

Elodat’s head snaps up. “Really?”

“Absolutely.” With a beckoning gesture from Renata, the Decanter’s thrusters fire, lifting it into the air. It bobs beside her as she walks toward the door. “After the demonstration.”

“And now, finally,” the announcer says with a glare at Renata, “we have the newest product from Glasc Industries, presented by the fabulous Renata Glasc, herself! Renata, darling, please join us on the stage!”

With practiced ease, Renata steps out from behind the curtain to ravenous applause. Wealthy Piltovans, dressed to impress, fill the Vesella clan’s lavish ballroom, eager to hear about the newest novelties from their favorite Zaunite. The announcer claps politely, though his eyes roll at this level of excitement from the audience.

Renata removes her mask. Every breath she takes of the empty Piltovan air cuts her throat like glass, but still, she smiles. “A big thank you to the Vesella clan for having me! What a treat it is to spend an evening in your beautiful city.

“For many of you, ‘chemtech’ is a scary word. An ugly word. One of iron and decay. What, then, could a Zaunite have to offer Piltover? Glasc Industries has shown you time and again that chemtech doesn’t have to be ugly. And tonight, I’m going to show you that it can be beautiful.”

A flick of her wrist, and the Decanter floats across the stage past the announcer to Renata. Delighted gasps punctuate the murmur of the crowd.

So easily pleased. So hopelessly naïve.

“The Glasc Industries Decanter, a milestone in the world of healing! Alchemist and nursemaid all in one, creating medicine and administering it in the same breath.”

She’s interrupted by the announcer coughing into his sleeve. She turns to him, knowing full well that none of the chemicals in the Decanter are strictly medicinal. “Would our kind announcer be interested in helping with a demonstration?”

Renata sips her sparkling wine as yet another potential investor approaches her. Across the room, the announcer stands beside the Decanter and hands out Renata’s business cards—just as Renata had... suggested.

She peers at her pocket watch and walks toward a balcony with a phenomenal evening view of Piltover. Below, even Zaun’s promenade level is visible from here...

An explosion lights up the promenade. Right about where Baron Midenstokke’s dance hall is, in fact. Or, rather, where it used to be.

But no one in the Vesella clan’s ballroom seems to care. A glance is the most any of them spare for the tragedy down in Zaun. It’s beneath them.

Except for Renata Glasc, who watches with a chuckle and takes another sip of her fine Piltovan wine.

Zaun and Piltover sing to one another. The refrains are full of old wounds, and injustice, and pain. I think it's just me that can hear it, but we all feel it, a hum at the back of everyday life, pushing both Zaunites and Piltovans into strident discord.

I know they can sing together. I've heard it. Scraps of it—once in a while—little chords that make my heart ache with possibility. And once, a beautiful, crushing tidal wave of harmony and hope. It was the same moment I heard my hextech crystal for the first time.

The voice sang a thousand hymns at once. Each of them was a pebble in an avalanche, impossible to understand beyond scattered notes. The voice could hear me—and I wanted so badly to keep listening—but it fell back to a fuzzy hum the instant Zaun and Piltover ended their symphony.

Here in the Entresol, where I hide in the dark behind the stage, that duet should ring clear. The top of Zaun; the bottom of Piltover. The Gray lingers, smearing grime across hammered Piltovan bronze. Zaunite chem-lamps scatter the colors of Piltovan stained glass across Zaunite cobbled streets carefully engineered with Piltovan tools.

And folk from both cities make their way here, bringing that rapturous soul-song only I can hear. Zaunites pour in from below, a thousand different instruments strummed with tuneless enthusiasm. Kids taunt and jeer, while older folks usher them along, searching for a moment’s peace. Piltovans march down in trumpeting waves, inquisitive and bright and proud. They come by descender, or by the stairways and ramps connecting to the overhead Promenade, the Entresol’s posh Piltovan twin. They laugh and joke together, gesturing appreciatively at the quaintness of our makeshift open-air theatre.

It’s exciting, at first. I’m so happy they’re all here. I close my eyes and tune to my crystal, pleading for it to speak again.

But the crystal emits that same warbling, distant hum, a presence there and not there. Even that fades to a murmur as the songs clash, turning duet into duel. Piltovan laughter lapses into sneering discomfort. Zaunite shouts quiet into indignant scowls. And, almost as if they’d planned it, the crowd organizes into two perfect, separate halves.

This is what it means to live in Zaun and in Piltover. The Entresol’s a place to come together, sure, but not to connect. Only because the cities have to touch, somewhere. I watch as one Piltovan trips, nearly crossing that perfect gap between them, only for two of his fellows to catch him and bring him protectively back into the fold.

Ugh! They’re all here for the same reason! Why can’t they put their guards down for, like, one moment and just be with each other?

Why do I always think it’ll change? I’m just one person. Just Seraphine. Who could barely even leave her house for how many years? How am I supposed to make them see that it could be different? Why do I think I can?

Why did I ever think I could?

The lights come on, and the shock makes me realize I’ve been holding my breath. I feel the chill on my forearms, the mic in my shivering grip. I look at the crowd. There are a few appreciative whoops, but mostly they’re focused on keeping separate from the other side. I take a breath.

A pure, familiar note of soul-music rings out to me from the Piltovan audience. I look over and see Schala’s tired smile, beaming up at me from a crowd that melts for a moment into the background as I’m swept up in her song. During visits to my parents’ shop, Schala would tell me about her thesis, reading dramatically from it like an eager parent would a storybook. She’d tell me what had changed since the last time it had been rejected by the college. “Seventh time’s the charm” was what she said the last time we talked. But even back then, I could hear the doubt edging into her optimism. Six rejections, and she was still facing forward. But it was through a cloud of doubt: Should she maybe be doing something else with her life?

Her self-doubt nestles into mine, and the next breath comes a little easier.

Another song joins the melody, this time from the Zaunite crowd. I look over and see Roland, an absolute artist of a silversmith. I’d first been drawn to his little workshop by the sound of music. He’d piled crates and supplies all on one side of the shop to make room for a handful of kids who were using the corner for what looked like band practice. He said that the ruckus made it easier to focus, that he needed the sound more than the space. That he might need to get used to such a small room if his next design didn’t sell.

Roland’s song twists with Schala’s in my head, one drums and brass and gravel, one wind and horns and hushed vocals. They couldn’t sound more different, but something just makes it work somehow. One song full of self-doubt, the other, fear for the future.

But there’s something else. A sturdy, rolling, endless beat that keeps their songs from spinning out into singular, dying notes. It’s the same beat in both songs. Schala loves her work, and Roland his.

Their determination finds mine, snatches it from a fall into darkness.

The next breath is sweet.

I don’t need to solve everything. I’m not here for that. Neither are they, and that’s okay. I listen for the crystal, and its steady rhythm builds and rumbles, indistinct but there. I want to reach out, and I only know one way how.

I close my eyes and let myself be filled with Schala’s song and with Roland’s. I imagine their struggles. Schala, chewing on a pen until her eyes widen in epiphany and she writes the perfect conclusion to her thesis. Roland, one eye closed tight as he gently, gently, shapes the last detailing into an ornate silver frame, then stands back with a grin and a sigh when he knows it’s perfect. Tiny explosions crawl across my shoulders, up my spine, into my head, and music lights my whole body on fire.

I sing.

Maybe our voices are quiet alone. Maybe mine’s quiet alone. But I’m not. We’re not. I don’t hold anything back, because I know they don’t either. The panic, the fear, the self-doubt. I pour it all into the song, heaps of it, so much that I want to cry. Our songs are droplets of rainwater on a windowpane. Schala’s swirls itself into mine, and we become a little stream. We find Roland, happy to be caught up in our motion. Together, we find the crowd, each droplet gathering another and another and another until we’re a flood of song and feeling.

That flood grows louder and louder as the crowd, silent but for the swell of their souls, opens to the music. Once, I would have gotten lost in this storm of sound. But I have Roland, and Schala, and myself, and we feel what they feel. They know what drives us, what drives me. I’m so grateful. I’ll make sure they know that, too. I push that feeling into a single note, and in that moment, I know the music we’re making could pierce the heavens.

The song ends, and my eyes open to the crowd. A single entity greets me, raucous and cheering and surging together toward the stage. Not a cobble in sight. My muses have found one another in the center of the crowd, and I can’t tell anymore which side is which.

The Entresol’s a beautiful place. I’ve got the best seat in the house, a hidden little corner table where a lucky patron can sit in secret silence, sip a hot cup of tea, and watch the world pass by.

My show ended a few bells ago, but the crowd stuck around, talking and laughing together. Local businessfolk took quick advantage, opening up shop and ferrying out tables and chairs. My stage, powered down and pushed off to the side, has become a makeshift playground, where Piltovan and Zaunite kids are challenging one another to various antics. I can feel the charge in the air, excitement and wonder and that airy feeling you get on days you never want to end.

I sit back, put both hands around my steaming mug, close my eyes, and smile. They all make such wondrous music. Piltover and Zaun continue their duet, if only for a little while.

A familiar voice rumbles through me, faint but urgent. My soul soars even as my heart starts to pound. I don’t know what I’ll hear, whether we’ll understand each other this time, how long we have. I only know that it needs to be heard.

Its song lifts in an orchestral swell, and I brace for the avalanche. It has so much to sing, and just me to hear it.

But I won't ever stop trying to listen.

Since ancient times, there have been those who prayed to the winds. From sailors seeking good weather to the downtrodden calling on winds of change, mortals have placed their hope in the tempests and gales that sweep across Runeterra.

Surprisingly, the wind sometimes would seem to answer. Seafarers might spot a bright blue bird just before a healthy tailwind billowed their sails. Others could swear they’d heard a whistling in the air right before a storm, as if to warn them of its approach. As word of these omens spread, sightings of the bird grew more common. Some even swore they had seen the bird transform into a woman. With tapered ears and flowing hair, this mysterious maiden was said to float above the water and direct the wind with a flick of her staff.

The faithful called this wind spirit Jan’ahrem, an ancient Shuriman word meaning “guardian,” for she always seemed to appear in moments of great need. As time went on, she came to be known more simply as Janna.

Her name spread across the Shuriman continent’s coasts, and the seafaring people of Oshra Va’Zaun were her most fervent believers. They depended on calm seas for the trade ships that traveled through their city’s port. Statues and shrines were raised in gratitude for Janna’s benevolence. After the Shuriman empire enveloped the city, these displays of devotion continued… for a time.

When the emperor issued decrees suppressing “false idols,” Janna’s statues were torn down. Yet despite the growing worship of the Ascended god-warriors, many still offered quiet prayers to Janna, for what could god-warriors do to protect ships from storms? These mortals often wore amulets with the image of a bluebird—smaller, more personal tokens in Janna’s honor.

Through all of this, Janna continued to aid the vulnerable who called upon her. In a region rife with upheaval, she remained constant. Those with an eye toward history might appreciate the irony of “winds of change” being the only thing that did not.

After the great empire fell, once verdant lands became a desert as the remaining Ascended brought war and chaos—yet Janna shielded the city, now known as Zaun, from the turmoil.

Over the centuries, Janna watched as Zaun’s ambitions grew. While the city was still a robust trade port, its denizens aspired for more. They dreamed of cutting a canal through the isthmus on which they lived, opening a path that would unite the seas surrounding Valoran and Shurima. The city poured great effort, wealth, and time into the construction. Prayers to Janna waned as mortal dreams focused on mortal machinations.

However, the canal’s excavation made great portions of Zaun unstable. On one cataclysmic day, entire districts on the River Pilt collapsed below the western sea level, and thousands suddenly found themselves fighting for their lives against the clashing currents.

As these unfortunate souls faced their doom, they prayed for salvation. They called out the name of their ancient protector:

Janna.

Though these mortals had seemingly forgotten her until now, Janna did not hesitate to help them. An immense gale swept over the city as she took corporeal form. Impossible walls of air held flooding waters at bay as people fled the drowned ruins of their homes. Ferocious gusts of wind cut through the suffocating smoke from fires caused by the destruction. Yet while she saved many, thousands still perished that day—but all who survived witnessed Janna’s benevolence. Never again would the city’s people forget their savior.

To this day, through the rise of Piltover and the ongoing struggles of modern Zaun, Janna’s faithful wear bluebird medallions and show reverence to the winds. And through it all, Janna stands steadfast by the humble and the meek. Zaunites all know that whether they fight for breath amid the toxic clouds of the Zaun Gray, stand against the brutality of violent chem-barons, or fend off other threats, Janna will not abandon them.

That old, familiar smell hit her first. Hay, strawberries, and sturdy wood. The courtyard of the Argentine Inn had a particular waft to it that brought the ache of memories long past: a hundred concerts, a thousand faces lit by lantern light, and—most painful of all—a time when things were simpler and happier in Demacia.

But these days, that version of her home country felt distant. Worlds away. When she first spotted her old friend Etra emerging from the doorway of the inn, her breath hitched—maybe this, too, was different. But Etra’s eyes went wide. She shrieked with joy, and as she ran forward to wrap Sona up in her arms, Sona breathed a little sigh of relief. Some things didn’t change after all.

“You got my letter!” Etra said, and squeezed her tight.

Sona nodded. As Etra released her, she stood back to get a good look, still clasping Sona’s hands. “Someone’s been traveling,” she said, impressed. As if noticing Sona was on edge, Etra paused, released her hands, and slipped into the rough sign language they’d forged over a lifetime. All is well?

It was a relief to be able to sign back. To be understood by someone who loved her. Yes, of course, Sona responded, whether it was true or not. Missed you terribly, though. She held her hands a little lower. Didn’t want passersby to see the sharp gestures, the twitching fingers, and draw the wrong conclusions.

How long will you stay this time?

As long as I can, Sona signed. You know I never could refuse an empty stage.

Etra grinned. Excellent.

There was no audience around sunset, when Sona struck her first chord, but the first few folks trickled in right away. She was standing front and center in the Argentine’s “concert hall”—a converted barn with a bit of raised wood at the front to make a stage. Some of the people she could see were familiar faces. They brought their evening plans with them: wine by the flagon, cheese in its cloth.

As they settled into their familiar rhythm, the crowd swelled. Wagons were pulled up beyond the open door of the stage hall now, horses tied to posts. Some of the men had started to sing along loudly. They were drunk faster than usual. Sona smirked over at Etra, and she signed back with one hand: They missed you, too.

Things were tense for folks right now. They’d just lost their king and seen their country turn on itself in a single bloody year.

As if to punctuate Sona’s thoughts, four figures slipped into the back row of the audience, hoods pulled loose over their faces. Dark blue fabric. Not terribly suspicious on its own, but…

One of them tilted their head up at Sona, and she saw the hint of a gold mask glinting in the light.

Mageseekers.

Sona’s stomach lurched. She heard the slightest hitch in Etra’s voice, too, but neither of them dared look at each other right now.

The only answer was to keep performing, keep singing, and—hopefully—keep up appearances. The next song in the set was a solo. Etra and Cal slipped backstage.

This was the moment the crowd had really come to hear, and there were small murmurs and comfortable rustles in the audience as people settled in. There was no name for the piece, but they all knew it regardless. It was Sona’s own creation, and she relaxed into it. Her fingers brushed the strings, the air teemed with silence—and then, with a pick of a single note, they were off.

Her fingers danced like fireflies. The song flowed, built, faded, built again.

But then something evolved in the music. There were additional layers to it, notes that should have been impossible to play simultaneously. Sona looked up and saw only smiles and closed eyes. The audience had become enamored, absorbed.

It was time. The etwahl had awoken. Long, twisting illusions rose up from the strings, stretching and snapping as the very air hummed. To her, they were brilliant—a language she and the instrument alone shared. No one else could see them.

The etwahl had chosen someone. An old woman in the back of the room was thinking of her husband, a farmer, and the instrument had become throaty with the full warmth and bass of his voice. Sona could almost hear him talk. And in the shapes that rapidly shifted before her, she saw the outline of his weathered face, the way his cheeks crinkled when he smiled. But the outline morphed… the fuzzy curve of a sleeping figure. He had fallen ill and passed a month ago. A hard harvest without him, no doubt.

The etwahl hummed something private to Sona then: the last rasping song the man had ever sung to his wife. The notes hung in the air. She took the snatched phrases of the melody and, without even having to pause, she wove it back into the song, building around it. When she glanced up, Sona saw the widow’s eyebrows raised with recognition, tears trailing down the woman’s cheeks.

Sona slipped music into the woman’s heart. Music to warm her. Music to soothe her. Music to give her strength to face the year ahead.

The music had reached crescendo now. She and the etwahl were deep in conversation. The shapes had expanded, brilliant and ever-moving, an aurora stretching across the hall…

A shout shattered the song. She halted, frozen. But the shapes still drifted, no longer a secret between her and the instrument.

She’d lost control.

The mageseekers in the back had risen, making their way down the center aisle. They were coming for her. Some threw their hoods back now. The rest of the audience was still transfixed, unseeing. They hadn’t yet registered what was happening. Sona took two steps back, toward the archway that led out the back of the barn.

“Stop!” one of the mageseekers cried. They were undeniably here for her. She bolted, hefting her skirts in one hand. The etwahl shuddered, broke free of its stand, and drifted after her through the air. Why hide it anymore?

She emerged out back and into the darkness. There was an alley back there—she could flee into the woods before they spotted her. But as she reached the end of the alley, two seekers stepped into her path. She pulled up short and turned around. Maybe… No. Three more blocked her way back to the inn’s door. She was trapped.

“If you don’t resist…” one of them started, but she saw the flash of Demacian steel in his hand and she heard nothing else. Behind her, footsteps. They were closing in.

She backed up against the wall of the inn, all five of them now standing in front of her.

She laid her fingers on the etwahl. I hope Etra ran, she thought.

The etwahl glowed. She struck a violent burst of music. The chord shot forth from her and slammed into the seekers. The air was charged gold, sickeningly radiant. They turned away from her. She heard their groans, their broken screams, and knew it was over.

They were dancing, all of them. They cut an eerie sight to anyone who might see: contorted, twisting figures bent against their will like puppets being made to perform. It was painful, she knew that much. But she had to make them hurt. She had to make pain the only thing they could remember. That way, they couldn’t remember Etra. They couldn’t come after her.

“For pity’s sake, mercy!”

“Ungh… My arm—”

At first they begged her to stop, but after a moment even that died away and there was nothing but gurgling, the shuffle of footsteps, the creaking and snapping of joints. I didn’t want to hurt you, she thought. I never do. But you… You’re the reason home isn’t home anymore.

One last beat. One final encore. She strummed. The chord reached them, deep violet. They dropped to the floor instantly like discarded toys, unconscious and forgetful.

And Sona disappeared into the silence of the woods.

He wiped the gun’s stock a fourth time. He couldn’t be sure it was clean until he wiped it down four times. Didn’t matter that he hadn’t used it. Didn’t matter that he was only going to stow it in the bag under the bed. He couldn’t put it away until he was sure it was clean, and he couldn’t be sure it was clean until he had wiped it down four times. It was getting clean though. Four times makes it clean.

It was clean, and it was wonderful. His new patrons had been generous. But did the finest painters not deserve the finest brushes?

The scale and precision of the new device made his previous work with blades seem insignificant by comparison. Understanding firearm mechanics had taken him weeks of study, but evolving his ki techniques from blades had taken months.

The gun held four shots. Each bullet had been infused with magical energy. Each bullet was as perfect as a Lassilan monk’s blade. Each bullet was the paint from which his art would flow. Each bullet was a masterpiece. It didn’t just cut apart the body. It rearranged it.

The rehearsal at the mill town had already shown the gun’s potential. And his new employers had been pleased with the work’s reception.

He had finished polishing it, but with the gun in his right hand, the temptation was too great. He knew he shouldn’t, but he unpacked the black, eel-skin bodysuit. He drew the fingertips of his left hand across the slick surface of the clothes. The feel of the skin’s oily surface quickened his breath. He picked up the tight, leather mask, then—unable to help himself—slid it over his face. It covered his right eye and mouth. It constricted his breathing and removed his depth perception…

Delightful.

He was putting on the shoulder armor when the bells he’d hidden on the steps leading up to his room sounded. He quickly folded up the weapon and removed the mask.

“Hello?” the maid asked through the door. The lilt in her voice hinted to an upbringing far south of this town.

“You did what I asked?” he said.

“Yes, sir. A white lantern every four yards. A red lantern every sixteen.”

“Then I can begin,” Khada Jhin said as he swung open the door to his room.

The woman’s eyes widened as he exited his room. Jhin was well aware of how he looked. Normally, it elicited pangs of self-conscious loathing, but today was a performance day.

Today, Khada Jhin cut a slender, elegant figure as he walked out with a cane. He was hunched, and his cloak seemed to cover some huge deformity on his shoulder, but a jaunty stride belied this. He forcefully tapped the cane ahead of him as he marched toward the window. He tapped the frame rhythmically—three beats, then a fourth. His gold sparkled, his cream cloak flowed, and his jewels glittered in the sun.

“What… What is that?” the maid asked, indicating Jhin’s shoulder.

Jhin paused for a moment to study the woman’s cherubic face. It was round and perfectly symmetrical. A dull and predictable design. Removed, it would make a terrible mask.

“It’s for the crescendo, my darling,” Khada Jhin said.

From the inn’s window, he had a clear view of the rest of the town in the valley below him. This performance had to be wonderful, but there was still so much work to do. The councilman would be returning this evening—and so far, all of Jhin’s plans for tonight seemed… uninspired.

“I brought some flowers for your room,” the woman said, walking past him.

He could have used someone else to place the lanterns. But he didn’t. He could have changed clothes before opening his door. But he didn’t. Now she had seen Khada Jhin in his finery.

The inspiration he needed was so obvious now. So preordained. There was never a choice. There was no escaping the Art.

He would have to make this maid’s face... more interesting.

Shen considered the interior of the White Cliffs Inn. It was deceptively simple and rough. The wood weavers had been masters, removing the tree bark and living leaves only where necessary.

The candle on Shen’s table flickered… wrongly. He slid away from the table, retrieving his blades from under his cloak.

“Your students are as quiet as a pregnant worax,” he said.

Alone and dressed like a merchant, Zed entered the inn. Brushing past the waitress, he sat down three tables away. Every part of Shen wanted to dash at his foe, to avenge his father. But such was not the way of twilight. He calmed himself as he realized the distance was too far… even if only by the length of his index finger.

Shen looked over at Zed, expecting to see him grin. Instead, his rival sighed. His skin was sallow, and dark folds hung beneath his eyes.

“Years, I have waited,” said Shen.

“Have I misjudged the distance?” Zed asked wearily.

“Even if my head is cut off, I will still close and strike,” Shen continued, sliding his foot backward and cocking it against the floor. Zed was ten paces and one half of a finger length away.

“Your path’s closer to mine. Your father’s ideals were a weakness. Ionia could no longer afford them,” Zed said. He leaned back in his chair, keeping himself just outside of the range Shen would need to strike a killing blow. “I know that’s not something I can make you understand. But I will offer you a chance for vengeance.”

Shen inched forward to the edge of his chair. “I do not act because of vengeance. You defy the balance. For that, you are damned.”

“The Golden Demon escaped,” Zed said, simply.

“Impossible,” Shen replied, feeling a hollowness that caught in his chest.

“Your father’s greatest victory. And now, again, his foolish mercy has tarnished his legacy.” Zed shook his head. “You know what that… thing is capable of.” Then Zed leaned over the table, well within Shen’s range—his neck intentionally exposed. “And you know that we are the only two people who can get close enough to stop him.”

Shen remembered the first time he’d seen the body of someone killed by the infamous Khada Jhin. His skin prickled from the memory; his teeth clenched. Only his father had been strong enough to still believe a merciful justice could be served.

Something in Shen had changed that day. Something in Zed had broken.

Now, that monster had returned.

Shen put his swords on the table. He looked down at the perfect bowl of soup in front of him. Little droplets of the pork fat’s oil shimmered on its surface, but he wasn’t hungry anymore.

From the jetty, Jhin looked back to the foreign ship. The tide had come in, and the ship would be leaving in a few moments. He would have to return soon if he was going to perform in Zaun next month. Risk on top of risk.

He stopped to check his reflection in a puddle. From the water, a worried, elderly merchant stared back at him. Years of acting practice combined with his martial training had given him total control of his facial muscles. It was a common face, and he had given it an unexceptional expression. When he walked up the hill, Jhin blended easily into the crowd.

He checked the white lanterns above him, counting the distance. If Zed appeared, he would need them. At the inn on the top of the hill, he glanced at the planters where he had hidden traps. Sharpened steel blades, shaped like flowers. They protected his escape route in case anything went wrong.

He thought of how the metal would slice through the crowd and splash the building’s freshly painted teal walls with red. It was tempting.

He was pushing through the crowd when he heard the village elder speaking to Shen.

“Why would the demon attack her and the councilmen?” the elder asked.

Shen, dressed in his blue outfit, didn’t answer.

Another of the Kinkou, a young woman named Akali, stood beside Shen. She walked to the doorway of the inn.

“No,” Shen said as he blocked her path.

“What makes you think I’m not ready?” Akali demanded.

“Because I wasn’t when I was your age.”

At that moment, a town guard stumbled from the entrance, his face pale and hollow.

“Her flesh, it was… It was…” He took a few steps, then collapsed to the ground in shock.

Against the far wall, the tavern’s owner laughed. Then he began weeping—his face painted by madness. “He saw it. He saw the flower!”

These were not people who would forget seeing Khada Jhin’s work.

Shen scanned the faces of the onlookers.

Clever boy, Jhin thought, before fading into the back of the crowd.

He checked the rooftops for Zed as he walked back to the ship.

The work was inescapable. Together or apart, Zed and Shen would chase the clues he had left. They would follow them back to the Blossom Festival. Back to Jyom Pass. And when they became desperate, then they would have to work together again.

It would be like it had been when they were young. They would huddle together in awe and fear.

Only then would the great Khada Jhin reveal himself…

And his true masterpiece would begin.

“Hurry up, Wyn!” shouted Janke. “The Rising Howl’s on its way!”

“I know!” he shouted back. “You don’t need to tell me!”

Wyn could hear the squeal of greased iron and the taste of metal tingling on his teeth. The interior of the vent pipe he was climbing vibrated with the hexdraulic elevator’s approach.

He pushed his back against the beveled ironwork, keeping his cramping legs braced on the opposite side. Looking up, the square of light that was the way out of the pipe seemed impossibly distant. A head appeared above him; his older brother, Nico.

“Almost there, little man,” said Nico, reaching back to offer his hand to Wyn. “You need me to come down?”

Wyn shook his head and dug deep, pushing with his spine straight as the muscles in his legs burned. Step by step, he inched upward until he was close enough to reach for his brother’s hand.

Nico grabbed his wrist and hauled, pulling him from the pipework. Wyn landed badly and stumbled, falling flat on his face in the cliff-side alcove known to every kid in Zaun. The space was barely wide and tall enough for them to stand next to each other with a sheer drop at the edge. Maybe ten yards beyond the edge were the elevator’s three support columns, each two yards wide and wrought from heavy ironwork.

Feen stood at the farthest part of the ledge, looking down with a manic grin. The wind billowed around him, his patchwork clothes flapping and his hair wild. Kez stood next to Nico, her cheeks flushed with excitement. Janke beat a nervous tattoo on his thigh with the palm of his hand, glowering at Wyn.

“You almost made us miss it.”

“Howl ain’t here yet,” snapped Wyn. “We ain’t missed nothing.”

Janke glared at Wyn, but with Nico here, he didn’t dare say or do anything. Back at Hope House for Foundling Children, Janke was a bully, but a bully it was sometimes handy to have around when low-rent Chem-Baron thugs fancied kicking downward.

Kez reached to help Wyn up. He smiled and took her hand.

“Thanks,” he said.

“My pleasure,” she said, leaning in to be heard over the noise.

Wyn smelled the caustic soap she’d washed with that morning - like chemical lemon juice. Given the nature of this excursion, she’d made an effort with her clothes too, digging out an old dress from the boxes of clothes discarded by kids who’d outgrown them, or who’d left the foundling home when they got too old. Wyn had beaten the worst of the dust and grime from his own threads, but he suddenly felt acutely scruffy next to Kez.

“I’ve never ridden the Howl,” she said, still holding tight to his hand. “Have you?”

The screeching roar was getting louder. The clattering rattle of the elevator’s mechanisms echoed deafeningly from the dripping, algal-green walls of the alcove. Feen was looking back at him and Janke had an ugly grin plastered over his face. Fear of looking like a dumb kid made the lie easier to tell.

“Me? Yeah, loads!” he said, knowing instantly it was a mistake. Wyn glanced over his shoulder. The others were gathered at the edge; legs braced, leaning into the wind.

Wyn leaned close to Kez’s ear.

“Sorry, I don’t know why I said that,” he said. “I ain’t done this before. Not never once. Don’t tell the others, but I’m crapping it.”

She let out a relieved breath.

“Good. I didn’t want to be the only one.”

Riding the Rising Howl was one of many rites of passage for the kids of Zaun. Like reaching the top of Old Hungry with all your limbs intact, cutpursing a baron’s man or playing knock-and-run with a stilt-walking sump-scrapper. Zaun had a seemingly endless procession of insanely dangerous tests you had to pass to truly count yourself a hard-bitten street kid.

But gathering his courage to leap from the rocky ledge, this test seemed to Wyn to be the craziest. The scream of the approaching elevator was getting louder, filling the alcove with the shriek of metal on metal and the boom of ratcheting gears.

Nico stood, leaned out and stared down, turning back with a crooked grin and a thumbs up. He bent his knees and threw himself out from the cliff. Arms and legs flailing, he vanished from sight. Not wanting to be shown up, Janke went next, hurling himself from the ledge with a wild whooping yell. Feen followed his friend, laughing like a maniac.

“Ready?” yelled Wyn, his words drowned out by the Rising Howl.

Kez nodded. No way she could hear him, but she got the message. She still hadn’t let go of his hand. He grinned, and they ran toward the cliff edge. Wyn’s heart was in his mouth, beating like a pneuma-hammer against his ribs. His step faltered, but it was too late to stop now. He reached the edge of the cliff and leapt into the wind, yelling a defiant roar of fear and bravado.

The ground vanished beneath him. Only empty air between him and the lower levels of Zaun, hundreds of yards below. Sheer, undiluted terror seized Wyn. It clamped him in a smith’s vice and squeezed the air from his lungs. Wyn saw himself tumbling to the ground, windmilling his arms as if he might suddenly learn to fly like the cliff-shrikes. He looked down. The ovoid, glass and iron shape of the Rising Howl was below him, coming up fast.

Nico, Janke, and Feen were already on it, clinging to its baroque latticework frames or braced against its structure. Wyn slammed into the thick glass and rolled. He flailed for a handhold, sliding down the curve of the outer windows. His sweaty palms slipped. His feet scrabbled for purchase. Anything to slow his descent.

Nothing.

“No, no, no...” he gasped, sliding over the curved topside toward the edge. “Janna’s mercy!”

An updraught of wind flipped him over onto his front and he saw a bronze hook standing proud on the giant elevator’s side. He threw himself at it, and it seemed the wind at his back gave him just enough of a push to reach it. His fingers closed on the metal and his sliding descent to oblivion halted.

With the threat of a long fall, followed by a hard stop, averted, Wyn was able to get his feet under him and looked around for Kez. He saw her higher up, laughing hysterically at having survived. Wyn felt the urge to laugh, and couldn’t stop grinning like a lunatic as he clambered up to where the upper surfaces of the Rising Howl were less angled.

Nico gave a whoop when he saw him and punched Janke in the arm.

“See? Told you he’d make it!”

Wyn clambered to his brother, his legs rubbery as a shimmerfiend’s after an all-night bender. He sucked in a great draught of clean air. Down in the Sump, the air had texture, but getting higher, it had a sharp clarity that made him pleasantly light-headed.

“Not bad, little man, not bad,” said Nico, giving him a slap on the back. His older brother coughed and spat a wad of gray phlegm onto the glass. Nico wiped his lips with his palm and Wyn couldn’t help but notice the brackish residue left on his hand.

“Yeah, no bother,” said Wyn.

Nico laughed at his bravado. “Worth it though, eh?”

“It’s beautiful,” said Kez.

Wyn had to agree. Far below, this part of Zaun spread over the rocky floor of the canyon in a glittering, bottle-green swathe of light and color. Vapor rainbows arced over the Factorywood and spiraling plumes of shimmering smoke danced over the chem-forges. From up here, sump pools wavered like emerald mirages and the winking hearth-lights in the darkness were like the stars he rarely saw from Hope House.

Tears pricked Wyn’s eyes, and he told himself it was the keenness of the wind. High above, Piltover shone in towers of ivory and bronze, copper and gold. Beautiful also, but Zaun’s beauty was lived in. Its streets were filled with life and vitality, every one bearing a heaving, bustling mass of humanity. Wyn loved Zaun. For all its faults, and there were many, its sheer unpredictability and exuberance gave it a pulse you didn’t often find up in Piltover.

Wyn looked down through the glass beneath his feet to see scores of people staring up at him. The passengers of the Rising Howl were used to folk hitching a lift upward, but that didn’t mean they liked it. A few were Zaunites, but most of them were well-heeled Pilties, returning after an evening spent in the gaslit commercia arcades, glass-ceilinged food parlors, or pounding music halls of Zaun.

“Bloody Pilties,” said Janke. “Coming down to slum it in Zaun. Think they’re living dangerously, but at the end of the night they run back up to Piltover.”

“Be a lot less coin flowing down in Zaun if they didn’t,” pointed out Kez. “Pilties do well outta Zaun, and we do well outta them. And how many grand days out we had up in Piltover? Remember the fireworks over the Sun Gates last Progress Day? Remember that Piltie girl you were sweet on? You talk big, Janke, but you’re the one always wants us to head up top.”

They laughed as Janke went red.

“I’ll give ‘em something to look at!” said Feen with a grin. The scrawny lad shucked the braces from his shoulders, dropped his trousers, and planted his ass on the glass ceiling. “Hey, Pilties, there’s a new moon out tonight!”

And like a dog dragging its backside along the ground, Feen let himself slide down the glass with his ass-cheeks splayed for the viewing pleasure of the people below.

They laughed uproariously at the horrified expressions of the elevator’s passengers - men covering the eyes of children and shaking their fists at the filthy Zaunites.

“We’re not going right up top,” said Nico, getting his breath back and wiping tears from his eyes. “Babette’s is on the Entresol level.”

“We ain’t even sure Mama Elodie’s gonna be there,” said Janke.

“She’ll be there,” said Wyn. “I saw the playbill on her desk. Painted picture of her singing on stage, sure as Gray follows Day. But we gotta hurry, she goes on at eight bells and it’s already gone six!”

Mama Elodie was the mistress of Hope House, a foundling home dedicated to the welfare of the many orphans created in the wake of the disaster that tore Zaun apart. Initially funded by the families who would go on to become Piltover’s clans, more than two hundred orphans had been cared for within its walls. But in the century or so since its opening, the institution’s fortunes had waned as the money from the newborn city on high stopped flowing. The wealthy upsider families eventually decided they’d assuaged their guilt with enough gold, and that was that.

Mama Elodie was the only member of staff to stay on when the funds dried up, a dark-skinned woman who said she was an Ionian princess. Wyn suspected that might just be a story to charm donations out of the Chem-Barons, but he liked it when she told how she’d chosen to see the world instead of living a boring life in a palace. Wyn couldn’t imagine turning your back on wealth like that, but he’d never met anyone else from Ionia - even when he’d run errands for seafarers down at the docks.

Every waif and stray in Hope House had heard Mama Elodie singing as she cooked and cleaned. Her voice was extraordinary, and Wyn had fallen asleep to her lullabies more than once as a babe in arms. Wyn had been delivering a cup of herbal tisane to Mama Elodie when he’d seen the folded playbill for Babette’s Theatrical Emporium tucked under a sheaf of dog-eared letters. He’d only had time for a quick look, but swore on a chest of golden gears that it was Mama Elodie, dolled up in her best finery and singing on a footlit stage. She’d seen his look and sent him on his way with a cuff round the ear and a sharp rebuke for being nosy.

He told the others what he’d seen, and within the hour they’d formed a plan to sneak out and see her sing.

“Look!” yelled Wyn, nudging Nico in the ribs.

Nico looked down and nodded, seeing the uniformed conductor shouting into a flexible speaking tube.

“He’s warning the staff above to watch out for freeloading Zaunites,” said Nico. “But it don’t matter. Remember, we ain’t riding it all the way to the platform.”

“So where we getting off then?” asked Feen, clambering to his feet and, mercifully, hauling up his trousers.

“There’s an old winch mechanism just below the embarkation platform,” said Nico, pointing upward. “The cowl’s nice and flat and wide, and next to it, there’s a vent pipe that’s lost its cover.”

“We’re going to have to jump again?” asked Wyn.

Nico grinned and winked.

“Yeah, shouldn’t be a problem for a seasoned pro like you, eh?”

Wyn let out a shuddering breath, his palms bloody where they’d grabbed the rusted cowl of the winch. His second jump into thin air had been just as gut-wrenchingly terrifying, but at least this time he’d known he could do it. The Rising Howl continued upward on its way, and Wyn was glad to see it go.

At least heading back down to Zaun would be easier. They’d take the steps cut into the sheer rock or slide down the dizzying screw-stairs plunging through the overhanging structures cantilevered from the side of the cliffs.

The winch cowl was right next to an open vent, just as Nico had said it would be. The inside reeked of toxic runoff, but at least it was mostly dry. Thankfully, it was large enough to stand upright, which meant it had likely carried a whole lot of gunk and deposited it down into Zaun.

“Where does this end up?” asked Kez, careful to avoid the greenish slime that pooled in depressions in the iron.

“Comes out just behind the Bonscutt Pump Station, I think,” said Nico.

“Don’t you know?” said Janke. “I thought you’d done this before?”

“I have, but it was about a year ago and I ain’t too sure the layout’s gonna be the same as it was.”

They followed the pipe as it rose and twisted through the rock. The metal groaned and creaked with the movement of the cliffs.

“The cliffs are muttering again,” said Kez.

“What are they saying?” asked Wyn.

“Nobody knows,” she answered. “Mama Elodie once told me the rock was still sad about what happened when they split the land to make the canal. She said that every now and then, when the rock’s sorrow gets too much, it sobs, and that’s what shakes the earth.”

“So for all you know, this might end in a wall of rock or a barrier of twisted metal?” said Janke.

“Could be,” said Nico. “But I doubt it. Look.”

Nico pointed to thin spars of light up ahead. Swirling motes of dust hung in the air, and Wyn saw a rusted ladder rising into a square-cut channel in the pipe.

“Looks like we got ourselves a way out,” said Nico.

Wyn had only traveled to Zaun’s Entresol level a couple of times in his life, and on each occasion it had left a singularly vivid impression on him. Situated just below the notional border between Piltover and Zaun - a fluid and ever-changing line at best - the Entresol was a flourishing hub of cosmopolitan commercia arcades, supper-clubs, recital halls and joy houses, making it one of the most populated districts of the cities. It was also widely regarded by the people that lived and toiled there as the place where the real work of Zaun got done.

Emerging from the pipework, they’d quickly got their bearings and navigated toward one of the main thoroughfares. Wyn and Kez were the only ones who could read well enough to decipher the cursive street signs, and Kez led them to a wide boulevard thronged with the most amazing people Wyn had ever seen.

Men and women from Piltover and Zaun happily mingled on the cobbled street, dressed in colorful finery and plumed hats. The women wore pleated dresses with scoop-lined necks and brightly colored sashes. The men looked dashing in their long frock coats and polished boots that wouldn’t last a day in the muck below.

“Everyone is smiling,” he said, feeling the corners of his mouth twitch upward in imitation. “And laughing.”

“You’d laugh too if you weren’t struggling every day to feed yourself,” said Janke.

Wyn started to reply, but Nico shook his head. Janke had come to Hope House older than most foundlings, and was on the verge of having to leave and find his way in the world. Small wonder he was bitter.

Wyn understood that bitterness. After all, who didn’t want more than they had? Who didn’t want to live somewhere nicer if they could? The harsh reality of the world was that folk lived as high as they could afford. Most folks were content with their place in the grand scheme of things, but Wyn yearned for a life spent in a place where he could walk hand in hand with a beautiful girl, take in a show, and eat a meal under the moonlight whenever he wanted.

On impulse he took Kez’s hand, and when she didn’t pull away, his heart beat harder than it had when he made his first jump. With Nico in the lead, they strolled down the center of the street like they had every right to be there. Which, of course, they did, but the stares their grimy attire attracted made it clear that, while no one was going to kick them back down, they weren’t exactly a welcome sight.

For a moment, Wyn fantasized that they could stay here forever, walking along a street of glowing chem-lumens, surrounded by people who could direct them to the best delicatessens with the creamiest crag-duck confit, or advise which plays they simply had to see. He pictured himself dressed like a dandy, greeting his fellow citizens and doffing his hat to visiting clan representatives.

“Is that a cultivair?” said Wyn, pointing to a latticework dome of smoky glass leaning out from the edge of the cliff.

“I think so,” said Kez. “I’ve only ever seen them from below.”

An iron bridge and taut cables tethered the glass dome to the rock, and they paused to take in the beauty of what it contained. Behind the glass, a small forest of tall trees with broad leafy canopies were tended by a robed gardener with a tattooed and shaven head. A riot of flowers, with petals of red, gold, and blue stood out in contrast to the greenery within. Wyn had never seen anything quite so beautiful in all his life. He waved to the gardener, wishing he could walk with Kez through the forest, smelling the perfumed blooms and feeling the soft grass between his toes.

The gardener smiled and waved before returning to his duties.

A series of bells rang out. Wyn counted seven in total.

“Come on,” he said urgently. “The show’ll be starting soon.”

Janke turned to Nico. “You sure you know where this place is?”

“Babette’s? Yeah, I know it,” said Nico, covering his mouth as he coughed again. “I took Aleeza there once, when I had a few coin to my name after I beat that merchant from Bel’Zhun in a drinking contest.”

Wyn remembered that night well, watching in disbelief as his brother threw back shot after shot of kouaxi, a potent spirit the Shuriman had said was made from fermented goat’s milk. They reached twenty shots before the merchant finally keeled over. Nico was hungover for a week before he could spend his winnings.

“It’s just up here,” said Nico, as they entered a cavernous plaza hollowed out from the cliffs.

People thronged the wide open space, talking, negotiating and haggling over who knew what. A few people with metallic augments strolled through the plaza, each bearing the sigil of one of the Chem-Barons, but they were few in number and attracted more than their fair share of wary glances.

At the far end of the plaza stood a grand structure of vivid color and noise. Barkers shouted inducements to enter and handed out playbills. Fluted columns of black marble veined with gold formed the building’s giant portico, over which was a series of statues of wild animals, dragons, and armored warriors. Greenish chem-lights illuminated them, and the wavering flames made it look like they were alive.

“I give you Babette’s Theatrical Emporium,” said Nico, taking a deep bow and pointing to the brightly-lit structure.

“What do you mean we can’t come in?” said Nico.

The two doormen were well-dressed, but no amount of finery could conceal their experience in hurting people. Snaking tattooes covered their necks and wrists, and one of them had a mechanized arm that buzzed with something energized. A shok-club maybe? Or something even more deadly? Or perhaps it just wasn’t working very well.

“We can pay,” said Kez.

“It ain’t the money, girly,” said the first doorman, a man Wyn mentally christened Chem-Breath.

“Then what is it?” she demanded.

“You ain’t dressed right.”

“Indeed,” chimed in the second doorman, the one with the buzzing, mechanical arm. “Mistress Babette expects a certain level of... hygiene in her guests’ sartorial selections. Your attire falls somewhat below the expected standard, I fear.”

“Yeah, so go and crawl back to where you came from,” said the first.

“Where we came from?” said Kez, incredulous. “This is Zaun ain’t it? This is where we come from, you stupid sump-sucker!”

“Get lost, ya snipes,” said Chem-Breath. “This part of Zaun ain’t your Zaun.”

“Fine,” said Nico, turning and walking away. “Let’s go.”

“Wait, what?” said Wyn, as he and the others followed Nico. “We’re just going home?”

His brother waited until they were out of earshot before responding, making sure the crowds at the entrance obscured them from the two doormen.

“‘Course not,” said Nico. “Stupid of me. Forgot the first rule of the Sump: Only marks go in through the front door.”

They traversed the length and breadth of the plaza for ten minutes before finding what they sought. Wyn kept one eye on the theater doors. People were still going in, so the show probably hadn’t started.

“There,” said Feen, pointing to a sudden plume of emerald smoke gusting from a nearby roofline. Feen worked for Gray-Scrape Malkev, a ductwork maintenancer who threw a couple of cogs the scrawny lad’s way to worm through the narrow ducts and clean off the scum when the breather pipes got too clogged.

The source of the smoke was an eatery that looked as if it served a fusion of Zaun street food and upscale Piltovan cuisine. The diners were languid, artist types, and the food looked almost too beautiful to eat.

“That’s a shared pipe if ever I sniffed one,” said Feen. “See, you can smell the food from the kitchens and the burn-off from the crystal burners up at Babette’s.”

“I knew there was a reason we brung you along, Feen,” said Nico, leading them down the alley cut through the rock between the eatery and the theater. Heavy crates hauled up from the docks were stacked against the wall, and hissing, groaning pipes sagged overhead. Burly men hauled crates inside, grunting with the effort. None of them paid the kids so much as a second glance.

Feen traced the routes of the ducts with his fingers, counting and listening as they gurgled and rattled. He sniffed the air and grinned.

“That’s the fella,” he said, pointing to a narrow vent that passed into the rock-face.

“You sure?” asked Janke. “I don’t wanna find you picked it wrong and we get flushed out over Zaun.”

“I ain’t wrong, sump-raker,” said Feen. “You crawl through enough soot and slime like I have, you get a nose for what leads where.”

They waited until the men working for the eatery took a break before using the crates to climb up onto the roof. Feen quickly found them a crawl-hatch on the side of the pipe and prized it open. Wyn blanched at the fumes leaking from the hatch.

“Is that safe?” he asked.

“Safe enough for a sump-snipe,” said Feen. “Trust me, you’ll get more grit on your lungs walking the Black Lanes than you will from the fumes in there.”

Wyn wasn’t so sure about that, but Feen crawled inside, swiftly followed by Kez. Janke went next, and Nico gestured to the pipe.

“Your turn, little man,” said Nico.

Wyn nodded and climbed inside, following the sounds of scraping knees, cursing and coughing. Feen was right about one thing; the air in here was pretty rank, but nothing like when the Gray closed in and made every breath a battle. Nico climbed in behind him and he settled into a rhythm of shuffling forward on his elbows and knees. Light filtered in through cracks in the metal where it had split, but that ended the minute the pipe plunged into the cliffs.

“How much farther?” called Nico from behind him, the sound resonating weirdly in the pipes. He received no answer, only echoes. Wyn tried not to think of all the reasons why there was only silence. Had the pipe emptied them out over the cliffs as Janke had feared? Had the others hit a pocket of gas that had knocked them out or suffocated them? Or maybe the rock hereabouts was sad too, and had chosen to crush the tiny figures crawling through it.

Just before the thought of being crushed to death by melancholy cliffs paralyzed Wyn with fear, a hand reached down from above and grabbed him by the scruff of the neck.

“Got ya!” hissed a voice as he was hauled up through a hatch that had been invisible in the darkness. He cried out in alarm and struggled before he realized it was Janke pulling him up. He was deposited on a wooden floor in a lightless room. No, not lightless, a thin bar of light shone from beneath a nearby doorway. As Wyn’s eyes adjusted, he saw the myriad paraphernalia of the performer’s art stacked haphazardly around the room; shelves upon shelves of masks, garish costumes, theatrical backdrops and fake props.

Feen was laughing as he pranced around the room with the top half of a horse costume on his head. Kez wore a golden crown with paste-gems studded around its edges and a bright red stone at its center. Janke swung a wooden sword, its blade painted to look like gleaming silver.

Wyn grinned as Nico climbed from the pipe behind him. He felt light-headed, but couldn’t tell if it was from the fumes or the elation of getting inside.

“Nice work, Feen,” said Nico, dusting himself off and coughing out a wad of gray phlegm.

Feen threw off the horse costume and beamed at this unaccustomed praise. He started to speak, but then they heard the beat of drums and the skirl of pipes.

“It’s starting,” said Kez.

The interior of Babette’s was no less impressive than its exterior. The main hall was adorned in colorful fabrics, gilded balconies, and a vaulted ceiling decorated with stunning vistas of sweeping forests, soaring mountains, and achingly blue lakes. An enormous chandelier of sparkling crystals hung from the center of the ceiling, wheeling constellations that sent beams of splintered light through the chamber.

Hundreds of people filled the space, revelers in fashionable attire and dancers who had shed their coats and inhibitions both. A raised stage at one end was home to musicians who played from the heart, a pounding, driving beat that shivered the blood and got your feet tapping. The music was infectious and Wyn laughed as Kez dragged him onto the dance floor. The sight of five sump-snipes anywhere else might have provoked a reaction, but here, amid the spinning dancers and singers, it barely raised an eyebrow.

They moved with the ease of those who knew how to slip out of a Piltover warden’s grip in a heartbeat. Feen stomped and threw his arms around like a madman, all elbows and knees. Janke shuffled and bobbed his head, lost in his own private world of music. Nico danced in a weaving pattern, smooth as you like, pausing every now and then to flirt with a pretty girl. Wyn waved as he and Kez twisted across the dancefloor, spinning each other around with euphoric abandon.

The music was so loud they couldn’t speak.

He didn’t care.

Chemlights threw a rainbow at the chandelier and it exploded in a dazzling borealis of colors in splitting lozenge patterns. Wyn lifted his hands, as if trying to catch the light. Kez threw her arms around his neck and reached for the lights as well. He smelled her soap and sweat, the perfume of her hair and the heat of her body. He never wanted this moment to end.

But it did.

A meaty hand came down on Wyn’s shoulder and he felt the crushing disappointment of a moment that might never come again being snatched away from him. He cursed at the interruption, but the swears he was about to unleash died when he saw Chem-Breath the doorman looking down at him.

“Didn’t I tell you to go back to the Sump?”

He glanced over at Kez and saw her chest heaving with excitement. She nodded, and the answer to his unasked question was in her outstretched hand.

Wyn laced his fingers in hers and yelled, “Run!”

He squirmed from Chem-Breath’s grip and they bolted toward the heart of the dancefloor. Kez gave a wild yell and they wove through the dancers as if they were playing hook-dodge in the Sump. They ran hand in hand, Chem-Breath right on their heels. He barged through the dancers, but Kez and Wyn had run the streets of Zaun since they’d learned how to use their legs. They’d given the slip to wardens, chem-thugs, and vigilnauts alike.

A fat doorman was no challenge at all.

They heard Chem-Breath’s enraged shouts even over the music, as if he were singing along to it. They led him on a merry chase, ducking between the gyrating dancers and singers. Kez held tight to his hand. Wyn couldn’t help but laugh even as they let Chem-Breath get close. Then, just as the man’s hand reached for his shoulder, Chem-Breath fell to the dancefloor, smashed in the face by Feen’s flailing elbow.

They left him rolling on the ground. Wyn couldn’t remember a feeling this intoxicating. His every dancing, running step was in time with the beat of the music. Each soaring chorus felt like it had been written especially for this moment. They laughed like lunatics through the light and sound, united in a way they’d never known before.

Then the music stopped. The lights were extinguished and a single chem-burner focused its illumination upon the stage. The suddenly stilled dancers gave a collective sigh as a woman rose from the center of the stage. Magic or stagecraft, Wyn didn’t know or care, it was a magnificent entrance.

“Mama Elodie,” said Kez.

Wyn knew it was her, but still couldn’t match the stern, matronly mistress of Hope House with this goddess before him. She wore her long hair tied up in an elaborate series of braids threaded with beads of mother-of-pearl and jade that glittered like newborn stars. She wore a radiant green gown that hung in sweeping folds and which shimmered like silken spider-skin.

She was the most beautiful woman he’d ever seen.

Mama Elodie raised her head, and the music built from a slow, glacial pace to a rising heartbeat. Her head lifted in time with the music and her dark skin shimmered with diamond dust. Her eyes swept the crowd, seeming to fix everyone in Babette’s with her soulful gaze. She smiled, as if surprised to see so many people, and the warmth of her almond eyes reached everyone who saw her. Wyn felt her goodness enfold him, feeling as if burdens he didn’t know he carried were being peeled away, layer by layer.

And then she began to sing.

The words were unknown to him, but they flowed like honey, half spoken, half sung. Every note drifted like leaves on a warm, summer night, flowing in spirals around the room. Her voice rose in pitch and volume, and Wyn felt his skin tingle with its touch. He let Mama Elodie’s song wash over and through him. Wyn felt a swelling feeling of connectedness between him and Kez. Her eyes met his and he knew she felt the same.

But it was more than that.

Wyn felt a connection between him and everyone in the audience, a sense of oneness and harmony he’d never known or dreamed was possible. Mama Elodie’s hands sculpted the air as her powerful voice filled the chamber with harmonies that penetrated skin and bone and made every edge within them smooth. Sweat sheened her skin, and veins stood out on her neck.

However she was making this music, it was clearly taking a toll.

The light filling the chamber dimmed as her voice grew softer and softer. The notes melted like snow in spring, sunset over a winter ocean. Tears flowed down Wyn’s face, and he knew he wasn’t the only one crying. Dozens of men and women wept, reaching toward Mama Elodie and imploring her to continue. She swayed on the stage, the song nearing completion.

Slowly, so very slowly, she descended through a trapdoor into the stage until she was gone. Mama Elodie’s voice grew softer and softer, until it was little more than a whisper.

Soon, even that was gone.

The chamber was entirely dark now. Wyn let out a shuddering breath as the house lights gradually came up. He blinked as his eyes adjusted, seeing how low the chemlights had burned. How long had Mama Elodie’s song lasted? Hours? Minutes? He had no way of knowing for sure. Wyn felt exhausted, but renewed at the same time. His thoughts were lighter, his lungs feeling clearer than than they had in months. He turned to Kez, and saw she too felt the same sense of rejuvenation. The audience members were smiling; friends and strangers alike embracing in the shared magic of what they had just experienced.

Nico, Feen, and Janke came over, and every one of them had experienced some profound revelation. What that was, Wyn couldn’t know, but that every one of them felt changed was clear.

“Did you...?” said Wyn.

“Yeah,” said Nico.

They hugged, five orphans from Zaun, sharing a brief moment of belonging they would never know again. By the time they broke apart, it was to see the two doormen, Chem-Breath and Buzz-Arm, standing with their hands balled into fists. Chem-Breath’s nose was askew on his face. An improvement, thought Wyn.

“I believe we told you to go home,” said Buzz-Arm.

“Bloody sump-rats,” snapped Chem-Breath, still nursing a bleeding nose. “Think they can give us the runaround.”

He thumped one meaty fist into his palm for extra emphasis.

“It’s time for you to leave, and I can’t promise it won’t be painful,” said Buzz-Arm, sounding almost apologetic.

“There’s no need for that,” said a melodious voice behind them.

Wyn let out a relieved breath as Mama Elodie put a hand on the back of his neck. Her fingers were warm and he felt a calming sensation flow through him at her touch.

“They with you?” asked Chem-Breath.

“They are indeed,” replied Mama Elodie.

The two doormen looked as though they wanted to take this further, but came to the conclusion that arguing with the headline act in front of her bewitched audience probably wasn’t a good idea. The doormen backed away, making eye contact with each of the kids to let them know that they may have escaped a beating this time, but coming to Babette’s again would be a really bad idea.

Wyn turned to face Mama Elodie, but whatever magic she had woven on stage was now entirely absent. The Ionian princess was gone and the Zaunite housemistress was back. She glared at them with hard, flinty eyes.

“I should have let them give you a good beating to teach you all a lesson,” she said, ushering them toward the front door of the theater. The others nodded in mute acceptance of her anger, but only Wyn caught the glint of amusement in her eye. Even so, Wyn could see a great deal of menial labor in all their futures.

“You were amazing,” said Kez as Mama Elodie marched them from the theater and turned toward Drop Street. The late-running descender to Zaun had a station there, so at least they’d be spared more jumping onto elevators or a lot of stairs. Nico, Feen, and Janke waved and ran off, old enough to head home on their own without needing to ask permission. Wyn didn’t mind; he was with Kez and Mama Elodie, so he’d enjoy this moonlit descent to Hope House.

“Where did you learn to sing like that?” asked Kez.

“My mother taught me when I was a girl,” said Mama Elodie. “She was of... an old Ionian line, though her voice was far superior to mine.”

“It was a beautiful song,” said Wyn.

“All the vastaya songs are beautiful,” said Mama Elodie. “But they are also sad.”

“Why are they sad?” asked Wyn.

“True beauty is only beautiful because it is finite,” said Mama Elodie. “That is why some of their songs are too sad to sing now.”

Wyn didn’t really understand. How could a song be too sad to sing? He wanted to ask more, but the farther they walked from Babette’s, the less important it seemed.

He looked up. Chemlights and reflected stars shimmered on the city of iron and glass as they navigated the cliffside streets toward home. Wyn saw a sliver of moonlight peeking out from behind the clouds, and took a deep breath of clean air, knowing it might be his last for a while.

“You know you’re all scrubbing floors and pots for the rest of the week, yes?” said Mama Elodie.

Wyn nodded, but didn’t mind. He was still holding Kez’s hand. A week of scrubbing seemed like a small price to pay.

“Sure,” he said. “Sounds good.”