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Son of Ur

David Slagle

We were running through the streets of Zaun. The pipes and stained glass were blurred, smeared colors against the Gray, and the fog that hung in every chem-soaked alley. Zori was to my left, all matted hair and rusty knives—her smile was the only sign that she was beautiful beneath the grime. Blenk was behind her, with a spray-philter full of glowing paint and a head dripping with ideas. Scuzz brought up the rear, every bit the kind of lug you’d expect to be called Scuzz. But he was our Scuzz, every scuzzy bit of him.

He yelled our gang’s name into the billowing smoke, marking the night as ours.

“Sump Riders!”

We laughed, and yelled it too. We were young, we were alive. Nothing could stop us. It would have to catch us first, and we were still running.

The city itself seemed to carry us forward as we slid down into its depths, farther and farther from the sump-scrapper we’d just robbed and left bleeding in the gutter. His cogs still jangled in our pockets. More than enough for a bit of fun. We were on our way to the Black Lanes, the market at the heart of Zaun.

“Think they’ll sell us any shimmerwine?” Zori asked. “Bleedin’ that sumper made me a mite parched.”

Blenk scoffed. “They’d sell shimmer to a child in the Lanes. And then they’d sell the child.”

“Gob it, both of you,” Scuzz growled, catching up. His face showed a kind of concern that I’d never seen before, a frown slowly forming. “Can’t you hear that?”

I squinted my eyes and peered into the night—since you can’t squint with ears, you ken? Not without a few augments. “I can’t hear nothin’,” I said with a shrug. “Not even a plague rat’s brown cough.”

“That’s what I mean,” Scuzz muttered.

And the silence after… It weighed heavier even than Piltover, glittering above us.

Pushing slowly into the market through the fog, we found dram-carts overturned, their wheels spinning lazily. Stalls abandoned, still full of exotic wares. There was a stench in the air that reminded me of the sump-scrapper—a stench strong enough to make my eyes water, when even seeing him bleed had not.

And there were bodies here, too. Many of them were wearing a chem-baron’s emblem. They’d been torn to pieces, the cobbles red beneath them.

It was a massacre.

“Nasty bit of work, eh?” Blenk grinned, rooting through one of the dead men’s pockets, carefully picking away giblets of flesh. “Guess that means we’re gettin’ a discount.”

Zori only shuddered. “There’s someone… in there,” she whispered, pointing into a cloud of raw chemtech that was spewing from a pipe in the clearing beyond. It was the source of the stench that was only growing stronger, crushing my senses, somehow making my ears hum. “It’s… It’s a man.”

“That’s not a man,” I murmured, following her gaze into the growing green veil. “Not anymore…”

It was a hulking shape, with mechanical legs and many guns, fused savagely to its flesh the way a mechanician would fuse two pipes. Burning and searing. Just looking at it made me wince. In one hand, it held a much smaller figure aloft. A man, choking in the chemtech cloud. As he writhed, the monster taunted him, its voice a mechanical buzz vibrating deep in my gut, threatening to loose the bowels within.

“This is what you want,” it almost cooed, cruelly forcing the man’s face into a rent in the pipe, the chemtech gas gushing out around them. “Breathe it. Make it yours.”

But the man only writhed, kicking uselessly, growing weaker and weaker—until finally, only his augmented arm still jittered, echoing his last, desperate thoughts. Even after they ceased.

And with that flash of brass, it hit me. The dangling corpse, he was a chem-baron, the only kind of person who could afford newfangled kit. Baron Crimson, or somesuch. These were his men, scattered around us.

Were his men. And now…

“We have to get out of here,” I gasped, turning from the carnage to my friends behind me. But I couldn’t see them. The gas from the pipe, it was spreading, a toxic green cloud making it harder to breathe… Harder to… to…

Run. We had to run.

I could hear Zori, Blenk and Scuzz panicking and coughing somewhere nearby. I reached out into the swirl for anyone, anything, to pull along with me as I made my escape. But there was only the sound of a body slumping softly to the ground, a spray-philter rattling across the cobbles.

Blenk. I stumbled as the truth hit me. He was gone.

And the worst was still to come.

The monster pushed itself through the cloud, a massive, armored leg slamming down beside me, and then another, and another—all revealed chemtech-filled tubing, and protruding gun muzzles that smoked with the very same heat still smoldering in the bodies around us.

I could taste it at the back of my throat, a truth as bitter as the acrid air. I was going to die here.

The monster grabbed me by my ragged scruff, lifting me close enough to see its face. It was a visage of terror, all the more horrifying because it was human. More human than the rest of him, at least. His tox-mask glowed as it vented pure alchemy, but his eyes were somehow even brighter. Intelligent. Almost seeming to smile as they took my fear in.

“A son of Zaun. What is your name?” he growled as he brought me closer. His accent was sharp, but I couldn’t place it. His words battered my resolve, each one hitting with the force of his hate.

I couldn’t even stammer an answer.

He laughed. “The baron, you recognize him? Like many, he tried to rule this city, casting countless people into the depths, to mine this…” He breathed in deeply as the gases swirled. “…this misery. Now he is no more, killed by that which gave him power over others. It is you, the gutter rat, at home in the squalor, who survives. So, tell me, which of you is stronger? Which of you deserves to live?

Suddenly, I was falling back to the ground, landing on top of my friends. They were shuddering, choking as the chem-baron had. Scuzz, his mouth was foaming. And Zori… I closed my eyes against the tears before I could see what had happened to her.

“Run,” the monster said. “Tell the city how you survived and a baron did not. You will be my witness. The first of many.”

I hesitated.

“Run!” he bellowed. I saw Zori then, sobbing, reaching out for help with the last of her strength. I didn’t want this to be the way I would remember her. I wanted to remember her smile. I still do.

But I was running again, through the streets of Zaun.

And can you imagine how it felt to realize, with burning lungs and heaving breaths, that my screams were the message I was to bear?

I was alive. My friends were not.

I was worthy.

More stories

  1. The Recruit

    The Recruit

    The sun was at its peak, just high enough to illuminate the exiles’ camp hidden deep in the canyon. From the shade of his lean-to, Sylas of Dregbourne waited patiently for his scout to return. At last, he saw her rounding the stone spire at the mouth of the crevasse, leading a wide-eyed young stranger into the camp.

    “This is Happ,” said the scout. “He wants to join.”

    Sylas emerged from his shelter, eyeing the youth casually. “Does he now?”

    “I know him from the underground. The seekers took his family. He made it out, by the hair on his hide.”

    Sylas nodded, quietly assessing the young man. He could sense the boy was blessed with powerful magic—some black and deadly pall. As for the rest of his character, Sylas could see nothing.

    “He’s a good kid,” assured the scout. “And he’s from Dregbourne.”

    Sylas’ brow furrowed with pleasant surprise, as if meeting kin he never knew existed.

    The youth stammered out an introduction. “I… I thought maybe… I could join your cause… sir.”

    The entire camp of outlaws laughed. The boy’s eyes darted around the grinning faces, searching for some hint of what he had done wrong.

    “There’s no ‘sir’ here,” chuckled Sylas. “Unless you want to address everyone of us that way.”

    “Yes, si— …Yes,” the youth said, nearly repeating his mistake.

    Abashed, the recruit seemed to wonder if he’d made the right choice in coming to the camp. Sylas placed a heavily shackled arm on the boy’s shoulder, hoping to quell his embarrassment.

    “Be at ease, Happ. No one will judge you here. We’re a long way from Dregbourne.”

    He felt the youth relax his posture.

    “I know your struggle. They’re always watching you, hounding you, making you feel inferior. Well there’s none of that here. Here, you belong.”

    Happ beamed, staring at his feet, as though he felt unworthy of his newfound joy.

    “Do you know why I wear these chains?” asked Sylas.

    The recruit shook his head, too timid to offer a guess.

    “They’re not just weapons. They’re a reminder. Of where we come from. Of everything we’re capable of, and of our liberation to come. Are you with me?”

    “Yes. Yes, I want to be liberated.”

    “Good,” said Sylas. “Tonight, you will break your own chains.”




    Dusk was falling, and the darkened brush on the side of the road was the perfect cover for an ambush. There, Sylas lay in wait with a dozen of his most trusted mages. Beside him, the recruit nervously picked at his fingernails.

    “Don’t worry,” said Sylas, with a reassuring smile. “I was nervous for my first one. After a while, it becomes as natural as breathing.”

    Before the recruit’s nerves could be assuaged, the thunder of hooves and wagon wheels rumbled in the distance like a coming storm. Within seconds, the carriage came barreling down the road before the lurking hijackers.

    An instant before the horses arrived, Sylas signaled to his comrades, and the ambush began.

    With a flick of his wrist, a scruffy old mage summoned a thick cord of ironvines that snapped across the road, catching the galloping horses at the knees. The racket was deafening, as the steeds fell neck-first into the dirt, the carriage careening over them.

    The mages sprang from their cover, subduing the dazed crew of the carriage with various weapons and spells. Sylas leapt atop the overturned coach, eager to seize the passengers of the unprotected cabin.

    “Let’s go, recruit,” he called to Happ, beckoning for the lad to join him.

    Happ scampered atop the cabin and began to help pry the door. It cracked open, revealing a very battered nobleman. Sylas’ eyes flashed with a malicious gleam.

    “Well… look who’s kneeling now, my lord,” said Sylas, extending his hand.

    The nobleman bristled. Though he was gravely injured, his hatred for Sylas remained intact.

    “I’ll not cower before the likes of you.”

    “Good,” said Sylas. “Because I wouldn’t want you to miss this.”

    In minutes, all of the nobleman’s guards and coachmen were lined up beside the road with their hands bound. Sylas paced the line, individually acknowledging each captive.

    “I ache for you all. I do,” said Sylas. “You are merely cogs in their wheel.”

    Sylas paused, his tone shifting harshly, as he gestured to the bound nobleman.

    “But you chose to serve them… and thus, serve their cause.”

    He turned to his band of outcasts, loudly offering a question.

    “Brothers and sisters—these folk work in the service of swine. What does that make them?”

    “Swine!” replied the outcasts.

    “Should we allow them to go free?”

    “No!” yelled the mages.

    “What if they have a change of heart? Promise never to bother us again?” asked Sylas, with a coy smile creeping across the corners of his mouth.

    “They’d be lying!” yelled the scruffy old mage from the brush.

    “They can’t be trusted!” said another in the gang.

    “Then what is to be done with them?” asked Sylas.

    “They must die!” shouted a young mage, his hatred beyond his years.

    Others yelled out in agreement, until the phrase echoed across the land: “Swine must die!”

    Sylas nodded, as if he were slowly being persuaded by their words.

    “So it must be.”

    Softly, Sylas touched the shoulder of his recruit. His petricite shackles began to fume with a dark smoke. He closed his eyes, savoring the captured power.

    The sight sent a quake of dread through the captives. Many fell to their knees and wept, pleading to be spared. Only the nobleman stood proud, defying his circumstances, as Sylas addressed his crew with somber finality.

    “It pains me that I cannot show you the beautiful world to come.”

    The words sent a chill through the recruit.

    “Sylas, no,” Happ protested. “These are just… people.”

    Ignoring the pleas, Sylas extended his arms and fingers, and unleashed the magic stored in his gauntlets. A thick black cloud billowed from his fingers and collected above the heads of the nobleman’s crew. Almost in unison, they began to claw at their throats in suffocation. Moments later, they fell to the ground dead.

    A grave hush fell over the mages, having dutifully observed the execution. The nobleman wept silently, tears streaming over his clenched lips. The only sound came from the recruit.

    “No… why?” said Happ, falling to his knees.

    Sylas eased the boy back to his feet, consoling him with a fatherly hand.

    “Happ, you wanted to help our cause. This is it! This is our liberation…”

    He gently guided the recruit toward the nobleman, and urged him forward.

    “…one dead lord at a time.”

    Happ looked at the nobleman through tear-filled eyes. He held out a trembling hand, preparing to take the life before him. Then, he let his arm go limp.

    “I… can’t.”

    Sylas’ tender patience began to slip away.

    “This man is not your friend. His fortune is built on your suffering. He would sooner see you hang than show you any kindness.”

    The recruit would not budge. At last, the nobleman found his voice.

    “You’re a monster,” he said, his voice breaking.

    “Yes,” replied Sylas. “That’s what your kind said when you locked me in the dark.”

    Sylas held forth his hand, its shackle still faintly glowing. The magic he had taken from Happ mustered one last wisp of blackness. The small, dark cloud enveloped the nobleman’s face, drawing the breath from his lungs. As the man writhed, Sylas looked back at the recruit, not in anger, but mourning.

    “I’m sorry, Happ. But you are not ready to be liberated. Go. Return to your chains.”

    Sylas watched as Happ turned to leave, his eyes averted in shame. The recruit looked down at the wrecked carriage in front of him, and the long, dirt road that wound back to the capital. Sylas could almost feel the boy thinking, dreading the misery that awaited him in his old life.

    Happ bent down, pried a dagger from the hand of the dead coachman, and returned to the nobleman, still struggling for breath on the ground.

    “I’m ready.”

    As the youth raised the dagger above the nobleman, Sylas’ sorrow turned to unmitigated joy. No matter how many he liberated, it always made him smile.

  2. Whom Does the Desert Know?

    Whom Does the Desert Know?

    L J Goulding

    Shurima is dying. I do not think she will rise again.

    The emptiness that writhes in the very bones of my homeland is a malignant, unspeakable thing. It spreads. It devours. Its merest touch is death. A thousand deaths—a thousand, times a thousand, times a thousand. Perhaps once there were some who could stand against it and hope to prevail, but no longer.

    I walk here, alone, in the darkest places beneath the world, and I see it with my own eyes, through the finely crafted lenses of my helm. What is seen cannot be unseen, and what is known cannot be forgotten. Not here. I am weary, so very weary.

    Still, I walk.

    I can no longer feel the ground beneath me, nor the bare rock of the cavern walls, but so, too, am I spared the worst of the numbing winds that rise from the depths. I give thanks for that, for truly this is a chill beyond the desert’s night. I have sat upon the endless plain of the Sai Faraj beneath the first moon of winter, and yet never known anything like this. It is the deep cold of the Void, which the ancients—in their ignorance—might have named as their underworld, and the source of all evil in the mortal realm.

    The truth is worse, I think. The air itself feels wrong, and unnatural, throbbing with a fierce, purple un-light that pains the mind.

    And from the shadows that even my eyes cannot pierce, you come.

    Three. Four. Maybe five. It is difficult to say. A hundred and more of your kind have I faced, and slain. Your howls echo in the gloom, but I do not fear you, for you have already taken everything I ever had.

    My wife; my beloved. My daughter; our binsikhi, our little explorer. I call out their names, as I always do, to remind myself why it is that I fight. Then I raise my gauntlet.

    For all your teeth and your claws and your ravenous rage, you cannot defeat me. Either I will strike you down, back to the pit… or you will send me into the hereafter, and I will finally be at peace. I will be with them once more.

    Either way, I will win. No, you cannot defeat me, you who are shayatin, the beasts of the last infinity…

    In my other hand, I clutch the stone tightly. Its foreign magic has kept me alive this long—long enough to delve far, far beneath the wastelands of old Icathia. It holds your corruption at bay, though at what cost to my flesh and my spirit, I cannot guess, for this smallest of trinkets now thrums in time with my own heart. That fearful rhythm is not the pulse of life, or magic, or any other wholesome thing, but of oblivion itself. Of that much, I am certain.

    Back, beast. Stay back.

    The Nether Blade snaps out from my gauntleted wrist, into the air between us.

    Yes. Yes, you know this weapon, don’t you. You all remember it.

    Where only moments ago you hungered for my flesh, now you are wary. Now you hesitate. You circle. Those of you that have eyes cannot take them from the blade’s shimmering edge. Even you must know, I think, that this thing was not made for mortal hands, or mortal souls. It was made by clever magic, by men who were no longer men, and who now are nothing at all. Would you remember them too, I wonder?

    You screech and hiss, and stamp at the uneven ground. It would be easy to imagine that you hate all living things—but you do not hate us, I think. Not truly. You do not know what hate is.

    Hate is the fire that burned in the immortal hearts of the god-warriors when they saw your kind spilling out into the world. Hate was what drove them against you, again and again, though they knew it would almost certainly be their doom…

    Yes, this weapon remembers you. It remembers how to end you.

    Horok, it was, that struck the first telling blow against your masters. Great and mighty Horok of the Ascended Host, whose name shall live forever. He is the Finder of Hidden Ways, and the One Who Follows After. It was Horok who first dared to face you down here, in the darkness, away from the light of the sun that had given him his strength. It was Horok who first bore the Nether Blade unto the Void’s vile heart.

    And it was Horok who showed his brothers and sisters how to defeat the abyss.

    I am no Ascended hero of Shurima, no god-warrior to be remembered in the grand halls of that ruined empire. I am but a man. I am a grieving father, and a child of the sai in my own time. From the dust I came, and to the dust I shall return soon enough.

    But not yet. For now, I walk as Horok once walked, and I do this with his blade held out before—

    The closest of you lunges. Horned shell and razor-sharp talons graze my side as I twist away, breath rasping through the pipes in my mask. For a moment I am blind, trapped inside this meager armored suit of my own devising.

    Then I bring the Nether Blade up sharply, cleaving through what on any other creature could be called a neck.

    The sinuous body crashes down, and I feel the weapon’s aching hunger in my sword arm, in the sourness at the back of my tongue, like the aftertaste of a scream. Who will be next? Which of you will try?

    The desert knows Horok. His name shall live forever. Even when he was betrayed by the tyrant Ne’Zuk, to his death, none would claim the bladed gauntlet from Horok’s wrist. As far as the god-warriors had fallen, even they could not deny that these lands might be threatened by the Voidborn once again, in some unseen future, and this great weapon should be ready.

    This is my land. Such horrors walk here now, openly, and I cannot allow it. I will plunge this blade into the creeping nothingness beneath Shurima, as I have a dozen times before.

    Was it destiny? No. Nothing so noble as destiny. It was fated, I think, that I knew where this thing might be found. I led the echnebi treasure-seekers to Horok’s mausoleum on the banks of the Kahleek many years ago—back then I sought nothing more than their Piltovan gold, so that I might provide for my family. I gladly helped break open the tomb that had remained sealed for thousands of years. The Nether Blade was not the prize the echnebi sought, but they deemed it valuable all the same.

    Some in the tribes called me mercenary. Some called me a traitor. All I know is, in the strange days since then, Horok’s mausoleum has been utterly consumed by the enemy. Were it not for those treasure-seekers and the bounty they paid me, this weapon would now be lost. Like my people. My family.

    Unlike them, when the time came, the blade was something I could find again.

    Kas sai a dyn. Whom does the desert know?

    The desert does not know you, beast. You are not welcome here. You are lost in this ancient land of gods and men.

    But the desert knows my name, for that is my name.

    Not once have I lost my way. I know exactly where I am, and how many more paces it would be to the doom of all things. I will atone for what I have done, and that which I have not.

    And I will defy you until the end.

  3. Renata Glasc

    Renata Glasc

    Life had not always been good to Renata Glasc.

    Her parents were brilliant alchemists, focused on innovations for the healing arts. Dedicated to their work and their community in Zaun, they gave their care and their cures to anyone in need... regardless of whether their patients could afford them. Renata grew up accustomed to going to bed hungry, resentful of her parents’ ideology, yet powerless to change her circumstances. She dreamed of the ships that sailed through Piltover’s Sun Gate canal, imagining herself taking the wheel and steering her life in a new direction—toward the riches of the world.

    When she was old enough to join the family business, it was quickly discerned that Renata had no aptitude for alchemy. She did, however, have ideas about turning a profit. In her first sales pitch, Renata convinced her parents that they wouldn’t need to ask anything more than people could give, if they started treating wealthier Zaunites. With loyal patients extolling the Glascs’ talents to their betters, their charity work was soon paid for by the rates Renata set for the rich.

    Instead of living comfortably, however, the Glascs spent that money developing a highly refined chemtech formula to extend the lives of their sickest patients. No matter what they did, the formula always had unwanted side effects—such as making their patients extremely suggestible, or extremely violent—so they continued to try and improve their work. Only Renata, bitter at what her parents chose to do with the money she had earned them, wondered if the formula could be useful as is.

    Up in Piltover, the elite clan leaders who had been making money off of Zaunite medical stopgaps heard whispers of the Glasc family’s research. Not willing to let anything threaten their bottom line, they paid off a handful of enforcers to “take care of it.” Renata woke to the sound of her parents’ screams as her home burned down around them. She lost her arm trying—and failing—to save them.

    With only her family name and the scraps of research that survived the fire, Renata swore to avoid her parents’ mistake of thankless altruism. Instead, she threw herself into building her meager inheritance into something bigger, something that could give her everything she’d never had, something that would give her money and power and control. An empire.

    As the years passed, she became the brains behind several successful small-time operations while building relationships with unsavory, but influential, individuals throughout the city. She’d give people jobs, lend them money, and give them medicine for their sick children—but never for free. If they couldn’t pay in coin, she demanded their loyalty.

    Renata quickly realized that genius was the rarest and most lucrative commodity in Zaun and devised a plan to invest in destitute youths with a talent for innovation. She offered a space to work and stability for their families in exchange for their work in perpetuity. The poorest among them couldn’t afford to say no. Renata found herself with plentiful access to new and unique product designs, and novel uses for the chemtech formula that was her parents’ legacy. Profits soared. She then established Glasc Industries after purchasing the first of what would eventually be dozens of factories to manufacture her high-end chemtech products.

    Glasc Industries quickly expanded across Zaun—from chemtech mining operations to dance halls to refineries—angering some barons who’d held monopolies over the ventures. But, one by one, Renata persuaded them all to go into business with her. And just like that, Renata quietly managed to become a chem-baron in her own right, and no one could push back for fear of upsetting their own cash flow. While Glasc Industries flourished, Renata herself remained in the shadows, waiting for the right time to make her next move.

    That time came after a chemical accident sent poisonous fumes sweeping through the streets of Zaun, leaving the city in its worst state in decades. Amidst the noxious gray clouds, Glasc Industries offered basic breathers and replacement filters to everyone in the city… for free. Now everyone in Zaun knew of Renata Glasc and her benevolence. She had earned Zaun’s loyalty.

    Word of her generosity swept through Piltover, as well. For the first time, shopkeepers looked seriously at Renata’s elegant and ultra-refined chemtech designs and soon lined their shelves with her products.

    Now, every fashionable Piltovan owns at least one Glasc Industries product, and the wealthiest among them vie to sit beside Renata at novelty galas and the opera house. But Renata’s plan was never to be a chem-baron in Zaun or the corporate darling of Piltover.

    No, she aims to take Piltover’s source of financial power for herself—the Sun Gate she had dreamed of so often in her youth. For she who controls the Sun Gate, controls the flow of trade; and she who controls the trade, controls the world. With a secret cache of her parents’ chemtech formula embedded in every Glasc product in both Piltover and Zaun, ready to be released at her command—side effects and all—it’s only a matter of time before everyone works for Renata Glasc.

  4. Diana

    Diana

    Diana did not belong on Mount Targon. A group of Solari hunters discovered her swaddled between her frost-claimed parents—strangers to this land, who had clearly traveled a long way. The hunters brought her to their temple, dedicated her, and raised her as a member of the Tribes of the Last Sun, known to many as the Rakkor.

    Like all of the Solari faith, she underwent rigorous physical and religious training. However, unlike others, Diana was determined to understand why the Solari act the way they do, and the reasoning behind their beliefs. She spent her evenings digging through the libraries, devouring texts with only pale moonlight to read by. Paradoxically, this pursuit provided more questions than answers, and her teachers’ aphoristic replies did little to sate her inquisitive mind.

    When Diana began to notice tomes had whole chapters torn from them, and all references to the moon seemed missing, the teachers assigned harsh punishments, intending to exhaust her into devotion. Likewise, her fellow acolytes distanced themselves from her and her questioning.

    There was one shining beacon in these years of confused, frustrated isolation: Leona. The most devout of Diana’s peers, they often found themselves in impassioned debate. Though one never swayed the other in their long and frequent conversations, they developed a close friendship.

    Then, one glorious night, Diana discovered a hidden alcove deep within the mountain. Moonlight spilled against its walls, revealing imagery of the sun, of soldiers armored in gold alongside silver-clad warriors, and matching imagery of the moon, atop Targon’s greatest peek. Delighted, Diana raced to share this clear message with Leona—the sun and moon were not enemies after all!

    Leona did not react with joy.

    She urged Diana to put this heresy from her mind entirely, warning of the punishments that may befall her if she were to voice such thoughts to others. Diana had never seen her serious friend quite so grave.

    Frustration gnawed at her. She had reached the end of the Solari’s knowledge, yet not even Leona would take this new discovery into account. What were the Solari hiding? Increasingly, Diana felt certain there was only one place she could go for answers: the top of Mount Targon.

    The climb tested her in every way imaginable, and time seemed to stand still as she scaled the peak. To survive, she focused her thoughts on her lone companion, and the answers that would make the Solari better, more whole.

    The summit greeted her with the brightest, fullest moon she’d ever seen. After a rapturous moment, a pillar of moonlight slammed into her and she felt a presence taking hold of her, sharing glimpses of the past, and of another Rakkor faith called the Lunari. Diana realized this presence could only be one of the legendary Aspects… and she had been chosen as its host.

    When the light dissipated, her mind was again her own. Diana found herself clad in armor, holding a crescent blade, and hair once dark hair now gleaming silver. She turned to find she was not alone—Leona stood at her side, similarly bedecked in shining, golden battleplate, a sunbreak-bright shield and sword in her hands.

    Diana was overjoyed to share in this revelatory moment with her friend, but Leona thought only of returning to the Solari. Diana begged her not to, desperate that they face this new future together. But Leona refused, and their disagreement quickly turned into a titanic battle, erupting with moonlight and sunfire.

    Fearful of losing herself to the Aspect’s power, Diana ultimately fled down the mountain. But, vindicated in her search, she felt more certain than ever that she had been right to question the Solari’s teachings. It was time to confront them, and show the error of their ways.

    Pushing past their Ra’Horak guardians, Diana burst into the chambers of the high priests. They listened with mounting horror as she told of what she had learned of the Lunari… and then they denounced her as a heretic, a blasphemer, and a peddler of false gods. Rage filled Diana, amplified by the Aspect within, and she embraced it in a terrible burst of moonlight. Startled, she fled the temple, leaving a trail of death in her wake.

    Now, driven by half-remembered visions and glimpses of ancient knowledge, Diana clings to the only truths she knows for certain—that the Lunari and the Solari need not be foes, and that there is a greater purpose for her than to be a Solari acolyte of Mount Targon.

    And though that destiny remains unclear, Diana will seek it out, whatever the cost.

  5. Ensemble

    Ensemble

    Rayla Heide

    The plump belly of the Rising Howl looms before me, churning with its endless gears and elaborate ironwork. Some say the Howl is named for the wrought iron wolf that cries atop the apex of the hexdraulic descender; others swear the ghost of a black-veiled gentle-servant haunts the cabin, and when the Howl lifts him away from his lost love in Zaun, the sounds of his moans reverberate and shake its metal core. Many Piltovans, convinced as they are in their own sound judgment, are sure the name refers to nothing more than the cold wind whistling between the crevasses below their city.

    But to me the Howl is not a single lone cry. It is an orchestra of noise, a melodic blend of a thousand unique sounds. It is why I am drawn to the machine.

    The multi-tiered elevator, supported by three vertical structural beams which span the height of the city, descends to the Promenade level and slows to a lurching halt.

    “Disembark for the Promenade!” the conductor announces, her voice magnified by a bell-shaped sonophone. She adjusts her thick goggles as she speaks. “Boundary Markets, College of Techmaturgy, Horticultural Center.”

    Passengers pour from the descender. Dozens of others board and spread throughout its floors: merchants traveling to Zaun to trade in the night bazaars, workers returning home to sleep, wealthy Zaunites visiting night blooms in glass-domed cultivairs. Then there are the unseen riders who have made the Howl their home. I spy them scurrying in the shadows: plague rats, shadowhares, and viridian beetles.

    Sometimes I climb down the crevasses to descend to the Sump, but tonight I long for the harmony of noise I know the descender will create.

    Instead of entering through the doorway, I swing around the outside and lock my grip on the bottommost bar where ridged steel brackets frame the glass windows. My metal plates clank as I clamber onto the Howl, drawing stares from the passengers and what looks like a grimace from the conductor. My knowledge of facial expressions grows each day.
    Most passengers ride within the compartment, away from the cold and soot, but outside, in the open air, I can hear the satisfying click-clack of mechanical parts snapping into place and the soft hiss of steam releasing as we sink into Zaun. And besides, I don’t easily fit through most doors.

    A small boy clings to his sump-scrapper father’s hand and gapes at me through the window. I wink at him and his mouth opens in what I estimate is surprise. He ducks behind his father.

    “Going down!” says the conductor. She rings a large bell and adjusts the dials on a bright red box. I can almost feel the commands buzz as they surge through wires into the descender’s engine.

    Below us, the iron pinnacles of Zaun’s towers and green glass cultivairs glitter like candles in the dimming light. The Howl whirs and creaks as its cranks spiral down against the three towering beams, weighted down with iron, steel, and glass. A blast of steam whistles from the topmost pipe.

    Inside the cabin, the sump-scrapper and his child look on as a musician tunes his four-stringed chittarone and begins a sonorous melody. His tune synchronizes with the clacking gears and whirring machinery of the Howl. The father taps his foot to the rhythm. A beetle snaps her pincers as she scrambles away from the man’s heavy boot. A gang of chem-punks lean against the wall in soft repose, a pause so unlike their usual frenzied jaunts through the city.

    The Howl whirs in its perfect fusion of sounds during our descent. I marvel at the symphony around me and find myself humming along to the deep buzzing tones. The rhythm thrums through me and I wonder if those around me feel it.

    “Entresol!” the conductor calls out as the descender slows. A pair of couriers carrying parcels wrapped in twine disembark, along with a crew of chemtech researchers and a crowd of chem-merchants. A merry crowd of Zaunites from the theater district steps aboard.

    “Down we go!” she says, ringing her bell, and the Howl responds with a whir. The descender sinks and the windows mist as vapor pours from pipes above. Beads of water spread across my metallic chest as the harmony of clanking machinery and whooshing steam begins anew.

    A discordant murmur interrupts the pattern of sounds. The vibration is subtle, but I can tell something is off. The descender continues as if all was normal, until a jarring clunk breaks its perfect rhythm.

    Though I have never dreamed, I know a break in the pattern this abrupt is a machine’s most frightening nightmare.

    The spiralling gearway is jammed, and the cabin’s iron brackets grate against it with a horrible screech. Many lives are at stake and I feel the machine’s pain as it braces desperately against the support beams. The entire weight of the Howl heaves against its bending columns and the cabin tilts at a lurching angle. Rivets burst from their seams as metal is pulled away from itself.

    We wobble for a moment, then drop.

    Inside the cabin, passengers scream and grasp at the nearest railing as they plunge. This is a different kind of howl.

    I tighten my hold on the cabin’s bottommost platform. I extend my other arm, launching it toward one of the three vertical structural beams. The iron column is slippery in the mist and my grip misses it by inches. I retract my arm and steam blasts from my back as I try again, whizzing it toward a second beam. Another miss.

    Time slows. Inside the cabin, the chem-punks cling to a ledge while the viridian beetle flies out an open window. The sump-scrapper and his child brace themselves against the glass, which fractures under their weight. The boy tumbles out, scrabbling at the frame with his fingers before he slips and falls.

    I reach up and catch the boy in mid-flight, then retract my arm.

    “Hold on,” I say.

    The child clings to the plates on my back.

    I fire my arm up toward the support beam once more, and this time my hand meets solid metal with a resounding clang as I secure my hold. My other arm is forced to extend as it’s wrenched down by the plunging cabin, so much that I feel my joints might fracture. Suspended in midair, I try to steady my grip.

    With a great jolt, my arm jerks as the descender halts its freefall. It shakes from the sudden stop, now supported only by my arm. The boy shudders as he tightens his grip on my back.

    The Howl is still fifty feet above the ground, hovering over the Sump-level buildings. My overlapping metal plates groan as they strain against the weight and I concentrate all my efforts on holding myself together. If I fall, the Howl falls with me, along with all its passengers.

    While locking my arm onto the support beam, I slide my arm down the pillar. We drop ten feet and the cabin sways precariously before stabilizing again.

    “Sorry about that!” I shout. Statements of empathy can be reassuring to humans in moments of crisis.

    I must try again. I must be strong.

    I release my grip on the support column ever so slightly, and with a piercing screech we gently slide down the remaining forty feet to the ground. My valves sigh as they contract.

    Passengers echo my sighs as they stumble through the doors and broken windows into the Sump level, leaning on each other for support.

    The boy on my back breathes rapidly as he holds my neck. My arms whir as I retract them and lower myself to the floor, crouching down so the child can touch the ground. He scrambles back to his father, who embraces him.

    The conductor emerges from the descender and looks at me.

    “You saved us. All of us,” she says, her voice shaking from what I think is shock. “Thank you.”

    “I am simply fulfilling my purpose,” I say. “I am glad you are not hurt. Have a good day.”

    She smiles, then turns to direct the crowd of Zaunites who have gathered to offer their assistance to the passengers and begin repairs. One of the chem-punk girls carries the musician’s chittarone for him as he crawls from the descender. Several of the theater-folk comfort an elderly man.

    Two Hex-mechanics stumble toward me and I direct them to a medical officer who is setting up a tented repair station. The murmurs of the passengers and the hissing groans of the wounded descender blend with the whirrs and churning of the Sump. The steam-engine within my chest murmurs along, and I am moved to whistle a tune.

    The boy turns and waves shyly at me.

    I wave back.

    He runs to catch up with his father, his heavy boots tapping a rhythm on the cobblestones. Shifting wheels sing and gears click-clack within the belly of the Rising Howl. The viridian beetle snaps her pincers in time with the beat as she zooms away into the Sump.

  6. City of Iron and Glass

    City of Iron and Glass

    Graham McNeill

    “Hurry up, Wyn!” shouted Janke. “The Rising Howl’s on its way!”

    “I know!” he shouted back. “You don’t need to tell me!”

    Wyn could hear the squeal of greased iron and the taste of metal tingling on his teeth. The interior of the vent pipe he was climbing vibrated with the hexdraulic elevator’s approach.

    He pushed his back against the beveled ironwork, keeping his cramping legs braced on the opposite side. Looking up, the square of light that was the way out of the pipe seemed impossibly distant. A head appeared above him; his older brother, Nico.

    “Almost there, little man,” said Nico, reaching back to offer his hand to Wyn. “You need me to come down?”

    Wyn shook his head and dug deep, pushing with his spine straight as the muscles in his legs burned. Step by step, he inched upward until he was close enough to reach for his brother’s hand.

    Nico grabbed his wrist and hauled, pulling him from the pipework. Wyn landed badly and stumbled, falling flat on his face in the cliff-side alcove known to every kid in Zaun. The space was barely wide and tall enough for them to stand next to each other with a sheer drop at the edge. Maybe ten yards beyond the edge were the elevator’s three support columns, each two yards wide and wrought from heavy ironwork.

    Feen stood at the farthest part of the ledge, looking down with a manic grin. The wind billowed around him, his patchwork clothes flapping and his hair wild. Kez stood next to Nico, her cheeks flushed with excitement. Janke beat a nervous tattoo on his thigh with the palm of his hand, glowering at Wyn.

    “You almost made us miss it.”

    “Howl ain’t here yet,” snapped Wyn. “We ain’t missed nothing.”

    Janke glared at Wyn, but with Nico here, he didn’t dare say or do anything. Back at Hope House for Foundling Children, Janke was a bully, but a bully it was sometimes handy to have around when low-rent Chem-Baron thugs fancied kicking downward.

    Kez reached to help Wyn up. He smiled and took her hand.

    “Thanks,” he said.

    “My pleasure,” she said, leaning in to be heard over the noise.

    Wyn smelled the caustic soap she’d washed with that morning - like chemical lemon juice. Given the nature of this excursion, she’d made an effort with her clothes too, digging out an old dress from the boxes of clothes discarded by kids who’d outgrown them, or who’d left the foundling home when they got too old. Wyn had beaten the worst of the dust and grime from his own threads, but he suddenly felt acutely scruffy next to Kez.

    “I’ve never ridden the Howl,” she said, still holding tight to his hand. “Have you?”

    The screeching roar was getting louder. The clattering rattle of the elevator’s mechanisms echoed deafeningly from the dripping, algal-green walls of the alcove. Feen was looking back at him and Janke had an ugly grin plastered over his face. Fear of looking like a dumb kid made the lie easier to tell.

    “Me? Yeah, loads!” he said, knowing instantly it was a mistake. Wyn glanced over his shoulder. The others were gathered at the edge; legs braced, leaning into the wind.

    Wyn leaned close to Kez’s ear.

    “Sorry, I don’t know why I said that,” he said. “I ain’t done this before. Not never once. Don’t tell the others, but I’m crapping it.”

    She let out a relieved breath.

    “Good. I didn’t want to be the only one.”

    Riding the Rising Howl was one of many rites of passage for the kids of Zaun. Like reaching the top of Old Hungry with all your limbs intact, cutpursing a baron’s man or playing knock-and-run with a stilt-walking sump-scrapper. Zaun had a seemingly endless procession of insanely dangerous tests you had to pass to truly count yourself a hard-bitten street kid.

    But gathering his courage to leap from the rocky ledge, this test seemed to Wyn to be the craziest. The scream of the approaching elevator was getting louder, filling the alcove with the shriek of metal on metal and the boom of ratcheting gears.

    Nico stood, leaned out and stared down, turning back with a crooked grin and a thumbs up. He bent his knees and threw himself out from the cliff. Arms and legs flailing, he vanished from sight. Not wanting to be shown up, Janke went next, hurling himself from the ledge with a wild whooping yell. Feen followed his friend, laughing like a maniac.

    “Ready?” yelled Wyn, his words drowned out by the Rising Howl.

    Kez nodded. No way she could hear him, but she got the message. She still hadn’t let go of his hand. He grinned, and they ran toward the cliff edge. Wyn’s heart was in his mouth, beating like a pneuma-hammer against his ribs. His step faltered, but it was too late to stop now. He reached the edge of the cliff and leapt into the wind, yelling a defiant roar of fear and bravado.

    The ground vanished beneath him. Only empty air between him and the lower levels of Zaun, hundreds of yards below. Sheer, undiluted terror seized Wyn. It clamped him in a smith’s vice and squeezed the air from his lungs. Wyn saw himself tumbling to the ground, windmilling his arms as if he might suddenly learn to fly like the cliff-shrikes. He looked down. The ovoid, glass and iron shape of the Rising Howl was below him, coming up fast.

    Nico, Janke, and Feen were already on it, clinging to its baroque latticework frames or braced against its structure. Wyn slammed into the thick glass and rolled. He flailed for a handhold, sliding down the curve of the outer windows. His sweaty palms slipped. His feet scrabbled for purchase. Anything to slow his descent.

    Nothing.

    “No, no, no...” he gasped, sliding over the curved topside toward the edge. “Janna’s mercy!”

    An updraught of wind flipped him over onto his front and he saw a bronze hook standing proud on the giant elevator’s side. He threw himself at it, and it seemed the wind at his back gave him just enough of a push to reach it. His fingers closed on the metal and his sliding descent to oblivion halted.

    With the threat of a long fall, followed by a hard stop, averted, Wyn was able to get his feet under him and looked around for Kez. He saw her higher up, laughing hysterically at having survived. Wyn felt the urge to laugh, and couldn’t stop grinning like a lunatic as he clambered up to where the upper surfaces of the Rising Howl were less angled.

    Nico gave a whoop when he saw him and punched Janke in the arm.

    “See? Told you he’d make it!”

    Wyn clambered to his brother, his legs rubbery as a shimmerfiend’s after an all-night bender. He sucked in a great draught of clean air. Down in the Sump, the air had texture, but getting higher, it had a sharp clarity that made him pleasantly light-headed.

    “Not bad, little man, not bad,” said Nico, giving him a slap on the back. His older brother coughed and spat a wad of gray phlegm onto the glass. Nico wiped his lips with his palm and Wyn couldn’t help but notice the brackish residue left on his hand.

    “Yeah, no bother,” said Wyn.

    Nico laughed at his bravado. “Worth it though, eh?”

    “It’s beautiful,” said Kez.

    Wyn had to agree. Far below, this part of Zaun spread over the rocky floor of the canyon in a glittering, bottle-green swathe of light and color. Vapor rainbows arced over the Factorywood and spiraling plumes of shimmering smoke danced over the chem-forges. From up here, sump pools wavered like emerald mirages and the winking hearth-lights in the darkness were like the stars he rarely saw from Hope House.

    Tears pricked Wyn’s eyes, and he told himself it was the keenness of the wind. High above, Piltover shone in towers of ivory and bronze, copper and gold. Beautiful also, but Zaun’s beauty was lived in. Its streets were filled with life and vitality, every one bearing a heaving, bustling mass of humanity. Wyn loved Zaun. For all its faults, and there were many, its sheer unpredictability and exuberance gave it a pulse you didn’t often find up in Piltover.

    Wyn looked down through the glass beneath his feet to see scores of people staring up at him. The passengers of the Rising Howl were used to folk hitching a lift upward, but that didn’t mean they liked it. A few were Zaunites, but most of them were well-heeled Pilties, returning after an evening spent in the gaslit commercia arcades, glass-ceilinged food parlors, or pounding music halls of Zaun.

    “Bloody Pilties,” said Janke. “Coming down to slum it in Zaun. Think they’re living dangerously, but at the end of the night they run back up to Piltover.”

    “Be a lot less coin flowing down in Zaun if they didn’t,” pointed out Kez. “Pilties do well outta Zaun, and we do well outta them. And how many grand days out we had up in Piltover? Remember the fireworks over the Sun Gates last Progress Day? Remember that Piltie girl you were sweet on? You talk big, Janke, but you’re the one always wants us to head up top.”

    They laughed as Janke went red.

    “I’ll give ‘em something to look at!” said Feen with a grin. The scrawny lad shucked the braces from his shoulders, dropped his trousers, and planted his ass on the glass ceiling. “Hey, Pilties, there’s a new moon out tonight!”

    And like a dog dragging its backside along the ground, Feen let himself slide down the glass with his ass-cheeks splayed for the viewing pleasure of the people below.

    They laughed uproariously at the horrified expressions of the elevator’s passengers - men covering the eyes of children and shaking their fists at the filthy Zaunites.

    “We’re not going right up top,” said Nico, getting his breath back and wiping tears from his eyes. “Babette’s is on the Entresol level.”

    “We ain’t even sure Mama Elodie’s gonna be there,” said Janke.

    “She’ll be there,” said Wyn. “I saw the playbill on her desk. Painted picture of her singing on stage, sure as Gray follows Day. But we gotta hurry, she goes on at eight bells and it’s already gone six!”

    Mama Elodie was the mistress of Hope House, a foundling home dedicated to the welfare of the many orphans created in the wake of the disaster that tore Zaun apart. Initially funded by the families who would go on to become Piltover’s clans, more than two hundred orphans had been cared for within its walls. But in the century or so since its opening, the institution’s fortunes had waned as the money from the newborn city on high stopped flowing. The wealthy upsider families eventually decided they’d assuaged their guilt with enough gold, and that was that.

    Mama Elodie was the only member of staff to stay on when the funds dried up, a dark-skinned woman who said she was an Ionian princess. Wyn suspected that might just be a story to charm donations out of the Chem-Barons, but he liked it when she told how she’d chosen to see the world instead of living a boring life in a palace. Wyn couldn’t imagine turning your back on wealth like that, but he’d never met anyone else from Ionia - even when he’d run errands for seafarers down at the docks.

    Every waif and stray in Hope House had heard Mama Elodie singing as she cooked and cleaned. Her voice was extraordinary, and Wyn had fallen asleep to her lullabies more than once as a babe in arms. Wyn had been delivering a cup of herbal tisane to Mama Elodie when he’d seen the folded playbill for Babette’s Theatrical Emporium tucked under a sheaf of dog-eared letters. He’d only had time for a quick look, but swore on a chest of golden gears that it was Mama Elodie, dolled up in her best finery and singing on a footlit stage. She’d seen his look and sent him on his way with a cuff round the ear and a sharp rebuke for being nosy.

    He told the others what he’d seen, and within the hour they’d formed a plan to sneak out and see her sing.

    “Look!” yelled Wyn, nudging Nico in the ribs.

    Nico looked down and nodded, seeing the uniformed conductor shouting into a flexible speaking tube.

    “He’s warning the staff above to watch out for freeloading Zaunites,” said Nico. “But it don’t matter. Remember, we ain’t riding it all the way to the platform.”

    “So where we getting off then?” asked Feen, clambering to his feet and, mercifully, hauling up his trousers.

    “There’s an old winch mechanism just below the embarkation platform,” said Nico, pointing upward. “The cowl’s nice and flat and wide, and next to it, there’s a vent pipe that’s lost its cover.”

    “We’re going to have to jump again?” asked Wyn.

    Nico grinned and winked.

    “Yeah, shouldn’t be a problem for a seasoned pro like you, eh?”

    Wyn let out a shuddering breath, his palms bloody where they’d grabbed the rusted cowl of the winch. His second jump into thin air had been just as gut-wrenchingly terrifying, but at least this time he’d known he could do it. The Rising Howl continued upward on its way, and Wyn was glad to see it go.

    At least heading back down to Zaun would be easier. They’d take the steps cut into the sheer rock or slide down the dizzying screw-stairs plunging through the overhanging structures cantilevered from the side of the cliffs.

    The winch cowl was right next to an open vent, just as Nico had said it would be. The inside reeked of toxic runoff, but at least it was mostly dry. Thankfully, it was large enough to stand upright, which meant it had likely carried a whole lot of gunk and deposited it down into Zaun.

    “Where does this end up?” asked Kez, careful to avoid the greenish slime that pooled in depressions in the iron.

    “Comes out just behind the Bonscutt Pump Station, I think,” said Nico.

    “Don’t you know?” said Janke. “I thought you’d done this before?”

    “I have, but it was about a year ago and I ain’t too sure the layout’s gonna be the same as it was.”

    They followed the pipe as it rose and twisted through the rock. The metal groaned and creaked with the movement of the cliffs.

    “The cliffs are muttering again,” said Kez.

    “What are they saying?” asked Wyn.

    “Nobody knows,” she answered. “Mama Elodie once told me the rock was still sad about what happened when they split the land to make the canal. She said that every now and then, when the rock’s sorrow gets too much, it sobs, and that’s what shakes the earth.”

    “So for all you know, this might end in a wall of rock or a barrier of twisted metal?” said Janke.

    “Could be,” said Nico. “But I doubt it. Look.”

    Nico pointed to thin spars of light up ahead. Swirling motes of dust hung in the air, and Wyn saw a rusted ladder rising into a square-cut channel in the pipe.

    “Looks like we got ourselves a way out,” said Nico.

    Wyn had only traveled to Zaun’s Entresol level a couple of times in his life, and on each occasion it had left a singularly vivid impression on him. Situated just below the notional border between Piltover and Zaun - a fluid and ever-changing line at best - the Entresol was a flourishing hub of cosmopolitan commercia arcades, supper-clubs, recital halls and joy houses, making it one of the most populated districts of the cities. It was also widely regarded by the people that lived and toiled there as the place where the real work of Zaun got done.

    Emerging from the pipework, they’d quickly got their bearings and navigated toward one of the main thoroughfares. Wyn and Kez were the only ones who could read well enough to decipher the cursive street signs, and Kez led them to a wide boulevard thronged with the most amazing people Wyn had ever seen.

    Men and women from Piltover and Zaun happily mingled on the cobbled street, dressed in colorful finery and plumed hats. The women wore pleated dresses with scoop-lined necks and brightly colored sashes. The men looked dashing in their long frock coats and polished boots that wouldn’t last a day in the muck below.

    “Everyone is smiling,” he said, feeling the corners of his mouth twitch upward in imitation. “And laughing.”

    “You’d laugh too if you weren’t struggling every day to feed yourself,” said Janke.

    Wyn started to reply, but Nico shook his head. Janke had come to Hope House older than most foundlings, and was on the verge of having to leave and find his way in the world. Small wonder he was bitter.

    Wyn understood that bitterness. After all, who didn’t want more than they had? Who didn’t want to live somewhere nicer if they could? The harsh reality of the world was that folk lived as high as they could afford. Most folks were content with their place in the grand scheme of things, but Wyn yearned for a life spent in a place where he could walk hand in hand with a beautiful girl, take in a show, and eat a meal under the moonlight whenever he wanted.

    On impulse he took Kez’s hand, and when she didn’t pull away, his heart beat harder than it had when he made his first jump. With Nico in the lead, they strolled down the center of the street like they had every right to be there. Which, of course, they did, but the stares their grimy attire attracted made it clear that, while no one was going to kick them back down, they weren’t exactly a welcome sight.

    For a moment, Wyn fantasized that they could stay here forever, walking along a street of glowing chem-lumens, surrounded by people who could direct them to the best delicatessens with the creamiest crag-duck confit, or advise which plays they simply had to see. He pictured himself dressed like a dandy, greeting his fellow citizens and doffing his hat to visiting clan representatives.

    “Is that a cultivair?” said Wyn, pointing to a latticework dome of smoky glass leaning out from the edge of the cliff.

    “I think so,” said Kez. “I’ve only ever seen them from below.”

    An iron bridge and taut cables tethered the glass dome to the rock, and they paused to take in the beauty of what it contained. Behind the glass, a small forest of tall trees with broad leafy canopies were tended by a robed gardener with a tattooed and shaven head. A riot of flowers, with petals of red, gold, and blue stood out in contrast to the greenery within. Wyn had never seen anything quite so beautiful in all his life. He waved to the gardener, wishing he could walk with Kez through the forest, smelling the perfumed blooms and feeling the soft grass between his toes.

    The gardener smiled and waved before returning to his duties.

    A series of bells rang out. Wyn counted seven in total.

    “Come on,” he said urgently. “The show’ll be starting soon.”

    Janke turned to Nico. “You sure you know where this place is?”

    “Babette’s? Yeah, I know it,” said Nico, covering his mouth as he coughed again. “I took Aleeza there once, when I had a few coin to my name after I beat that merchant from Bel’Zhun in a drinking contest.”

    Wyn remembered that night well, watching in disbelief as his brother threw back shot after shot of kouaxi, a potent spirit the Shuriman had said was made from fermented goat’s milk. They reached twenty shots before the merchant finally keeled over. Nico was hungover for a week before he could spend his winnings.

    “It’s just up here,” said Nico, as they entered a cavernous plaza hollowed out from the cliffs.

    People thronged the wide open space, talking, negotiating and haggling over who knew what. A few people with metallic augments strolled through the plaza, each bearing the sigil of one of the Chem-Barons, but they were few in number and attracted more than their fair share of wary glances.

    At the far end of the plaza stood a grand structure of vivid color and noise. Barkers shouted inducements to enter and handed out playbills. Fluted columns of black marble veined with gold formed the building’s giant portico, over which was a series of statues of wild animals, dragons, and armored warriors. Greenish chem-lights illuminated them, and the wavering flames made it look like they were alive.

    “I give you Babette’s Theatrical Emporium,” said Nico, taking a deep bow and pointing to the brightly-lit structure.

    “What do you mean we can’t come in?” said Nico.

    The two doormen were well-dressed, but no amount of finery could conceal their experience in hurting people. Snaking tattooes covered their necks and wrists, and one of them had a mechanized arm that buzzed with something energized. A shok-club maybe? Or something even more deadly? Or perhaps it just wasn’t working very well.

    “We can pay,” said Kez.

    “It ain’t the money, girly,” said the first doorman, a man Wyn mentally christened Chem-Breath.

    “Then what is it?” she demanded.

    “You ain’t dressed right.”

    “Indeed,” chimed in the second doorman, the one with the buzzing, mechanical arm. “Mistress Babette expects a certain level of... hygiene in her guests’ sartorial selections. Your attire falls somewhat below the expected standard, I fear.”

    “Yeah, so go and crawl back to where you came from,” said the first.

    “Where we came from?” said Kez, incredulous. “This is Zaun ain’t it? This is where we come from, you stupid sump-sucker!”

    “Get lost, ya snipes,” said Chem-Breath. “This part of Zaun ain’t your Zaun.”

    “Fine,” said Nico, turning and walking away. “Let’s go.”

    “Wait, what?” said Wyn, as he and the others followed Nico. “We’re just going home?”

    His brother waited until they were out of earshot before responding, making sure the crowds at the entrance obscured them from the two doormen.

    “‘Course not,” said Nico. “Stupid of me. Forgot the first rule of the Sump: Only marks go in through the front door.”

    They traversed the length and breadth of the plaza for ten minutes before finding what they sought. Wyn kept one eye on the theater doors. People were still going in, so the show probably hadn’t started.

    “There,” said Feen, pointing to a sudden plume of emerald smoke gusting from a nearby roofline. Feen worked for Gray-Scrape Malkev, a ductwork maintenancer who threw a couple of cogs the scrawny lad’s way to worm through the narrow ducts and clean off the scum when the breather pipes got too clogged.

    The source of the smoke was an eatery that looked as if it served a fusion of Zaun street food and upscale Piltovan cuisine. The diners were languid, artist types, and the food looked almost too beautiful to eat.

    “That’s a shared pipe if ever I sniffed one,” said Feen. “See, you can smell the food from the kitchens and the burn-off from the crystal burners up at Babette’s.”

    “I knew there was a reason we brung you along, Feen,” said Nico, leading them down the alley cut through the rock between the eatery and the theater. Heavy crates hauled up from the docks were stacked against the wall, and hissing, groaning pipes sagged overhead. Burly men hauled crates inside, grunting with the effort. None of them paid the kids so much as a second glance.

    Feen traced the routes of the ducts with his fingers, counting and listening as they gurgled and rattled. He sniffed the air and grinned.

    “That’s the fella,” he said, pointing to a narrow vent that passed into the rock-face.

    “You sure?” asked Janke. “I don’t wanna find you picked it wrong and we get flushed out over Zaun.”

    “I ain’t wrong, sump-raker,” said Feen. “You crawl through enough soot and slime like I have, you get a nose for what leads where.”

    They waited until the men working for the eatery took a break before using the crates to climb up onto the roof. Feen quickly found them a crawl-hatch on the side of the pipe and prized it open. Wyn blanched at the fumes leaking from the hatch.

    “Is that safe?” he asked.

    “Safe enough for a sump-snipe,” said Feen. “Trust me, you’ll get more grit on your lungs walking the Black Lanes than you will from the fumes in there.”

    Wyn wasn’t so sure about that, but Feen crawled inside, swiftly followed by Kez. Janke went next, and Nico gestured to the pipe.

    “Your turn, little man,” said Nico.

    Wyn nodded and climbed inside, following the sounds of scraping knees, cursing and coughing. Feen was right about one thing; the air in here was pretty rank, but nothing like when the Gray closed in and made every breath a battle. Nico climbed in behind him and he settled into a rhythm of shuffling forward on his elbows and knees. Light filtered in through cracks in the metal where it had split, but that ended the minute the pipe plunged into the cliffs.

    “How much farther?” called Nico from behind him, the sound resonating weirdly in the pipes. He received no answer, only echoes. Wyn tried not to think of all the reasons why there was only silence. Had the pipe emptied them out over the cliffs as Janke had feared? Had the others hit a pocket of gas that had knocked them out or suffocated them? Or maybe the rock hereabouts was sad too, and had chosen to crush the tiny figures crawling through it.

    Just before the thought of being crushed to death by melancholy cliffs paralyzed Wyn with fear, a hand reached down from above and grabbed him by the scruff of the neck.

    “Got ya!” hissed a voice as he was hauled up through a hatch that had been invisible in the darkness. He cried out in alarm and struggled before he realized it was Janke pulling him up. He was deposited on a wooden floor in a lightless room. No, not lightless, a thin bar of light shone from beneath a nearby doorway. As Wyn’s eyes adjusted, he saw the myriad paraphernalia of the performer’s art stacked haphazardly around the room; shelves upon shelves of masks, garish costumes, theatrical backdrops and fake props.

    Feen was laughing as he pranced around the room with the top half of a horse costume on his head. Kez wore a golden crown with paste-gems studded around its edges and a bright red stone at its center. Janke swung a wooden sword, its blade painted to look like gleaming silver.

    Wyn grinned as Nico climbed from the pipe behind him. He felt light-headed, but couldn’t tell if it was from the fumes or the elation of getting inside.

    “Nice work, Feen,” said Nico, dusting himself off and coughing out a wad of gray phlegm.

    Feen threw off the horse costume and beamed at this unaccustomed praise. He started to speak, but then they heard the beat of drums and the skirl of pipes.

    “It’s starting,” said Kez.

    The interior of Babette’s was no less impressive than its exterior. The main hall was adorned in colorful fabrics, gilded balconies, and a vaulted ceiling decorated with stunning vistas of sweeping forests, soaring mountains, and achingly blue lakes. An enormous chandelier of sparkling crystals hung from the center of the ceiling, wheeling constellations that sent beams of splintered light through the chamber.

    Hundreds of people filled the space, revelers in fashionable attire and dancers who had shed their coats and inhibitions both. A raised stage at one end was home to musicians who played from the heart, a pounding, driving beat that shivered the blood and got your feet tapping. The music was infectious and Wyn laughed as Kez dragged him onto the dance floor. The sight of five sump-snipes anywhere else might have provoked a reaction, but here, amid the spinning dancers and singers, it barely raised an eyebrow.

    They moved with the ease of those who knew how to slip out of a Piltover warden’s grip in a heartbeat. Feen stomped and threw his arms around like a madman, all elbows and knees. Janke shuffled and bobbed his head, lost in his own private world of music. Nico danced in a weaving pattern, smooth as you like, pausing every now and then to flirt with a pretty girl. Wyn waved as he and Kez twisted across the dancefloor, spinning each other around with euphoric abandon.

    The music was so loud they couldn’t speak.

    He didn’t care.

    Chemlights threw a rainbow at the chandelier and it exploded in a dazzling borealis of colors in splitting lozenge patterns. Wyn lifted his hands, as if trying to catch the light. Kez threw her arms around his neck and reached for the lights as well. He smelled her soap and sweat, the perfume of her hair and the heat of her body. He never wanted this moment to end.

    But it did.

    A meaty hand came down on Wyn’s shoulder and he felt the crushing disappointment of a moment that might never come again being snatched away from him. He cursed at the interruption, but the swears he was about to unleash died when he saw Chem-Breath the doorman looking down at him.

    “Didn’t I tell you to go back to the Sump?”

    He glanced over at Kez and saw her chest heaving with excitement. She nodded, and the answer to his unasked question was in her outstretched hand.

    Wyn laced his fingers in hers and yelled, “Run!”

    He squirmed from Chem-Breath’s grip and they bolted toward the heart of the dancefloor. Kez gave a wild yell and they wove through the dancers as if they were playing hook-dodge in the Sump. They ran hand in hand, Chem-Breath right on their heels. He barged through the dancers, but Kez and Wyn had run the streets of Zaun since they’d learned how to use their legs. They’d given the slip to wardens, chem-thugs, and vigilnauts alike.

    A fat doorman was no challenge at all.

    They heard Chem-Breath’s enraged shouts even over the music, as if he were singing along to it. They led him on a merry chase, ducking between the gyrating dancers and singers. Kez held tight to his hand. Wyn couldn’t help but laugh even as they let Chem-Breath get close. Then, just as the man’s hand reached for his shoulder, Chem-Breath fell to the dancefloor, smashed in the face by Feen’s flailing elbow.

    They left him rolling on the ground. Wyn couldn’t remember a feeling this intoxicating. His every dancing, running step was in time with the beat of the music. Each soaring chorus felt like it had been written especially for this moment. They laughed like lunatics through the light and sound, united in a way they’d never known before.

    Then the music stopped. The lights were extinguished and a single chem-burner focused its illumination upon the stage. The suddenly stilled dancers gave a collective sigh as a woman rose from the center of the stage. Magic or stagecraft, Wyn didn’t know or care, it was a magnificent entrance.

    “Mama Elodie,” said Kez.

    Wyn knew it was her, but still couldn’t match the stern, matronly mistress of Hope House with this goddess before him. She wore her long hair tied up in an elaborate series of braids threaded with beads of mother-of-pearl and jade that glittered like newborn stars. She wore a radiant green gown that hung in sweeping folds and which shimmered like silken spider-skin.

    She was the most beautiful woman he’d ever seen.

    Mama Elodie raised her head, and the music built from a slow, glacial pace to a rising heartbeat. Her head lifted in time with the music and her dark skin shimmered with diamond dust. Her eyes swept the crowd, seeming to fix everyone in Babette’s with her soulful gaze. She smiled, as if surprised to see so many people, and the warmth of her almond eyes reached everyone who saw her. Wyn felt her goodness enfold him, feeling as if burdens he didn’t know he carried were being peeled away, layer by layer.

    And then she began to sing.

    The words were unknown to him, but they flowed like honey, half spoken, half sung. Every note drifted like leaves on a warm, summer night, flowing in spirals around the room. Her voice rose in pitch and volume, and Wyn felt his skin tingle with its touch. He let Mama Elodie’s song wash over and through him. Wyn felt a swelling feeling of connectedness between him and Kez. Her eyes met his and he knew she felt the same.

    But it was more than that.

    Wyn felt a connection between him and everyone in the audience, a sense of oneness and harmony he’d never known or dreamed was possible. Mama Elodie’s hands sculpted the air as her powerful voice filled the chamber with harmonies that penetrated skin and bone and made every edge within them smooth. Sweat sheened her skin, and veins stood out on her neck.

    However she was making this music, it was clearly taking a toll.

    The light filling the chamber dimmed as her voice grew softer and softer. The notes melted like snow in spring, sunset over a winter ocean. Tears flowed down Wyn’s face, and he knew he wasn’t the only one crying. Dozens of men and women wept, reaching toward Mama Elodie and imploring her to continue. She swayed on the stage, the song nearing completion.

    Slowly, so very slowly, she descended through a trapdoor into the stage until she was gone. Mama Elodie’s voice grew softer and softer, until it was little more than a whisper.

    Soon, even that was gone.

    The chamber was entirely dark now. Wyn let out a shuddering breath as the house lights gradually came up. He blinked as his eyes adjusted, seeing how low the chemlights had burned. How long had Mama Elodie’s song lasted? Hours? Minutes? He had no way of knowing for sure. Wyn felt exhausted, but renewed at the same time. His thoughts were lighter, his lungs feeling clearer than than they had in months. He turned to Kez, and saw she too felt the same sense of rejuvenation. The audience members were smiling; friends and strangers alike embracing in the shared magic of what they had just experienced.

    Nico, Feen, and Janke came over, and every one of them had experienced some profound revelation. What that was, Wyn couldn’t know, but that every one of them felt changed was clear.

    “Did you...?” said Wyn.

    “Yeah,” said Nico.

    They hugged, five orphans from Zaun, sharing a brief moment of belonging they would never know again. By the time they broke apart, it was to see the two doormen, Chem-Breath and Buzz-Arm, standing with their hands balled into fists. Chem-Breath’s nose was askew on his face. An improvement, thought Wyn.

    “I believe we told you to go home,” said Buzz-Arm.

    “Bloody sump-rats,” snapped Chem-Breath, still nursing a bleeding nose. “Think they can give us the runaround.”

    He thumped one meaty fist into his palm for extra emphasis.

    “It’s time for you to leave, and I can’t promise it won’t be painful,” said Buzz-Arm, sounding almost apologetic.

    “There’s no need for that,” said a melodious voice behind them.

    Wyn let out a relieved breath as Mama Elodie put a hand on the back of his neck. Her fingers were warm and he felt a calming sensation flow through him at her touch.

    “They with you?” asked Chem-Breath.

    “They are indeed,” replied Mama Elodie.

    The two doormen looked as though they wanted to take this further, but came to the conclusion that arguing with the headline act in front of her bewitched audience probably wasn’t a good idea. The doormen backed away, making eye contact with each of the kids to let them know that they may have escaped a beating this time, but coming to Babette’s again would be a really bad idea.

    Wyn turned to face Mama Elodie, but whatever magic she had woven on stage was now entirely absent. The Ionian princess was gone and the Zaunite housemistress was back. She glared at them with hard, flinty eyes.

    “I should have let them give you a good beating to teach you all a lesson,” she said, ushering them toward the front door of the theater. The others nodded in mute acceptance of her anger, but only Wyn caught the glint of amusement in her eye. Even so, Wyn could see a great deal of menial labor in all their futures.

    “You were amazing,” said Kez as Mama Elodie marched them from the theater and turned toward Drop Street. The late-running descender to Zaun had a station there, so at least they’d be spared more jumping onto elevators or a lot of stairs. Nico, Feen, and Janke waved and ran off, old enough to head home on their own without needing to ask permission. Wyn didn’t mind; he was with Kez and Mama Elodie, so he’d enjoy this moonlit descent to Hope House.

    “Where did you learn to sing like that?” asked Kez.

    “My mother taught me when I was a girl,” said Mama Elodie. “She was of... an old Ionian line, though her voice was far superior to mine.”

    “It was a beautiful song,” said Wyn.

    “All the vastaya songs are beautiful,” said Mama Elodie. “But they are also sad.”

    “Why are they sad?” asked Wyn.

    “True beauty is only beautiful because it is finite,” said Mama Elodie. “That is why some of their songs are too sad to sing now.”

    Wyn didn’t really understand. How could a song be too sad to sing? He wanted to ask more, but the farther they walked from Babette’s, the less important it seemed.

    He looked up. Chemlights and reflected stars shimmered on the city of iron and glass as they navigated the cliffside streets toward home. Wyn saw a sliver of moonlight peeking out from behind the clouds, and took a deep breath of clean air, knowing it might be his last for a while.

    “You know you’re all scrubbing floors and pots for the rest of the week, yes?” said Mama Elodie.

    Wyn nodded, but didn’t mind. He was still holding Kez’s hand. A week of scrubbing seemed like a small price to pay.

    “Sure,” he said. “Sounds good.”

  7. The Unexpected Spark

    The Unexpected Spark

    Michael Luo

    “I can’t accept this,” the shopkeeper said, pushing Zeri’s change back at her. “It’s just spare parts. You’ve done too much to help since the Mist.”

    Restless, Zeri looked around. Familiar streets showed unfamiliar loss—homes and shops battered by wicked sorcery that nearly ended the world. People were missing. Families were hurting. But crowds still gathered at the Entresol markets. Zeri didn’t understand exactly what had happened, but she knew this: Zaun would rebuild, and she would help.

    She frowned at the shopkeeper’s work-hardened hands and pushed her own forward. “Get some banana cues. For your girls.”

    The shopkeeper sighed, then smiled.

    Zeri continued through the market, recalling her grandma’s oft-repeated reminders. “Ignore old man Shay—his parts are always rusted! Line up early at Auntie Maria’s—her marinated chicken is divine!” Zeri admitted her grandma could sometimes seem annoying, but she couldn’t deny that the woman was right. Her grandma knew the market and its people inside out, like how Moe’s daughters loved caramelized bananas. And it was in moments like this where that intimacy proved helpful.

    “C’mere, rat!”

    Zeri spun toward the noise in time to see a boy scurrying through the crowd. Two men tailed him, one short and square, the other tall with lanky limbs. Their outfits were unmistakable. Chem-baron thugs.

    As the boy darted by, Zeri snatched his arm. “There, quick,” she said, pointing with her lips at Moe’s shop. The shopkeeper nodded knowingly. The frightened boy stood still.

    “Trust me—go!”

    The boy sprinted over, ducking under a table that Moe quickly covered with cloth.

    “Hoy! Looking for someone?” Zeri shouted at the lackeys as they approached.

    The men shoved past the locals. “Yeah, a kid. Just ran through here. You see ‘im?” asked the stocky one.

    “Maybe. Maybe not.”

    The man narrowed his eyes. “Tell us. We won’t hurt you.”

    “Doubt that. But let’s skip to the part where I hurt you instead.”

    The man laughed. “With what?”

    Zeri reached for where her gun was usually strapped, only to find nothing there. Crap. Must’ve left it at mom's workshop—again.

    Well, time to improvise. She rubbed her hands together and started running in place.

    The thugs straightened in surprise.

    “Is she... dancing?” observed the lanky one.

    “Who cares?” his partner squawked. “Nab her already!”

    Zeri’s hands and feet became a blur. The gear on her jacket’s back, a limiter device she called the Sparkpack, spun with building electricity. In a blink, she zipped between the men, bowling them over in a trail of wild lightning. Stray currents bounced from her body onto nearby doors and awnings, leaving little embers.

    “Woo!” Zeri skid to a screeching halt. The lackeys lay collapsed on the ground. Her jaw dropped as she noticed a blackened awning collapse and fall to the street. “Oh, sorry! I—”

    “Don’t worry about it,” said Moe, gesturing under the table for the kid to come out.

    “You’re amazing!” the boy blurted, arms stretched wide. “You gotta help me. They still have my parents.”

    “What? Where?” Zeri asked.

    “Corner of Brasscopper Alley! A factory. They... they took them there. And others. I saw it!”

    “Got it,” Zeri nodded. “What’s your name?”

    “Timik.”

    “Timik, I’ll get your parents.” Zeri’s eyes met Moe’s. “Mind doing me another favor?”

    “Sure thing.” Moe patted Timik’s head. “Hey, kiddo. Want some banana cues for dinner?”




    Like its neighboring streets, Brasscopper Alley housed rows of chem-baron factories. Soot filled the air, heavy enough to taste. Who else but the barons would force people to work in these conditions?

    On the corner, a few guards reeking of less-than-fine spirits played cards by a run-down building with rusted double doors. Just like Timik described. Zeri touched her belt, ensuring her gun was secure.

    She looked for another way in, spotting a rickety air vent large enough to crawl through halfway up a nearby wall. She jumped for the opening, coming up inches short. Stepping back, Zeri ran, her feet catching sparks. She hopped higher this time, boosted by her electricity.

    “You already played that card!” she heard a guard growl as her fingers gripped the vent’s edge.

    “Did not!” snapped another. “And you woulda known too if yer head wasn’t buried in that bottle.”

    Zeri exhaled in relief. Right again, Grandma. Guards are lazier at night.

    She pulled herself into the vent and started crawling, eventually coming to a large grate in the floor. Below was a curious room where wide metal pipes lined every wall. The exit was closed off by the double doors she saw earlier.

    In the middle, a group of people assembled parts as several thugs with hextech-powered spears watched on like jail guards. Every time something reached the end of the assembly line, a thug tested it. And every time, there’d be a flash of blue light followed by nothing. The guard captain smashed these apparent failures and demanded the people start over. “And they said you were the smart ones,” he said, spitting on the floor.

    Zeri could tell these people were clearly being held against their will. Parents and spouses and friends, all suffering.

    “Argh!” Without thinking, Zeri banged a fist charged with frustration and electricity against the grate, which rattled from the impact. Zeri scrambled to secure it, but as the heavy grate fell from its fixture, so did she. With a loud clang, she landed in the middle of the factory floor.

    The room gasped and recoiled in surprise.

    “Is it him?” asked a thug, shaking off the shock.

    “No,” snarled the captain. “Her face doesn’t have the painted hourglass.”

    Zeri rushed to her feet. “Dunno who you’re expecting, but you can’t keep these people here like this.”

    The captain scowled. “Says who?”

    “Me.”

    Zeri whipped out her gun, her right hand clutching its rusted crimson grip. Her mom had designed it without trigger or magazine, needing only her daughter’s innate electricity, which now swelled with anger. Static buzzed from Zeri’s hand into the gun’s conductive barrel. She took aim.

    “Ultrashock laser!”

    A thunderous beam struck the double doors behind the thugs, blasting the rusted metal apart.

    “Run!” Zeri cried. “I’ll take care of the guards!”

    The hostages scattered, guards in pursuit.

    A woman grabbed Zeri’s arm. “Have you seen my son? He wasn’t taken with us!”

    “Timik’s fine. He’s—”

    “Timik? No, that’s not—”

    More thugs swarmed close. Zeri yanked her gun to face them and fired, pushing them back and creating space for the worried woman to flee.

    “We gotta go,” a man warned, pulling the woman away.

    Zeri unleashed more electric bullets as coverfire. “When word of this gets out to your boss,” she yelled, “you’re gonna wish you’d killed me here.”

    The frustrated guards turned their attention away from the fleeing hostages and toward Zeri.

    Good. Come to me.

    As they approached, she vaulted onto one of the wide interlocking pipes attached to the walls. It was made of brass and copper—natural conductors.

    Zeri’s feet crackled with electricity. Fueled by her sparks, she skated along the web of pipes, unloading flurries of bullets at three of the onrushing guards. Their bodies twitched and flailed before falling over. Deftly, Zeri switched directions, dropping the next few who were climbing the side railings to surprise her from behind. Only a handful of her attackers were left. She could head home soon. Her family was probably worried sick...

    A blast struck the pipe beneath Zeri, forcing her off balance. She crashed to the ground.

    “Got you now,” the captain said, holding what looked like a hextech cannon, smoke billowing off its muzzle. His remaining troops rallied, spears ready.

    Zeri struggled to her feet, head spinning, knees scraped and bleeding, electric currents flickering across her injured body. She lifted her gun to fire.

    It fizzled.

    The captain smirked.

    Damn! Must’ve broken in the fall.

    Her enemies closed in.

    “Screw it!” Zeri chucked her gun aside and tore off her jacket. Freed of the Sparkpack, she felt her body surge with voltage. Leaping into the air, she punched her left fist up toward the ceiling.

    “LIGHTNING CRASH!”

    Bioelectric waves shot from her fist, then her chest, and then her entire body, ripping the space asunder. Like a lightning storm, the waves arced off conductive metals, crackling violently as they drowned the room with Zeri’s raw power. Bodies jolted before dropping in droves.

    Zeri fell to her knees, her knuckles propping her up. Blinking sweat from her eyes, she felt searing pain from her wounds everywhere at once. “That better have worked.”

    “You little shit.” The captain's voice cut through the room. Zeri saw him stumble to his feet, bleeding from his nose and ears.

    Why?” Zeri roared. “Why hurt innocent people?”

    The man scoffed, kicking the limp bodies around him in search of his weapon. “No one’s innocent in the baroness’s eyes.”

    A hum filled the air as the captain lifted his cannon toward Zeri.

    With what little force she could muster, Zeri tumbled to the side and slipped behind a large fallen pipe. The blast flung her and her cover into a wall. Zeri’s vision turned black. When her eyes opened, the captain was gone.




    Staggering under moonlight, Zeri headed home through nearly empty streets. She was relieved the hostages were safe, but still gritted her teeth. The chem-barons—they always had more. More resources, more power. Their strength was the system they created with everyone under their reign, all contributing to a Zaun they controlled. Maybe the captain was right—no one’s innocent.

    And everyone’s a victim.

    A flash of blue light erupted behind her, stopping Zeri in her tracks.

    “Hey, nice work.”

    She turned to see a teenager with a painted face and a glowing bat in hand. Unsure if she’d been tailed, Zeri tried to ready herself once more, but struggled to stand up straight in the face of the stranger.

    “Relax,” the young man said. “Timik told me about you.”

    “And who are you?” Zeri asked.

    “Name’s Ekko. Those goons from the warehouse were looking for me before you showed up. But man, you wrecked ‘em.”

    Zeri sighed. If he’s against the barons, he’s alright.

    “Look,” Ekko continued, “I know you’ve got questions—so do I. And I’ve gotta ask... why help folks you don’t know?”

    Zeri shrugged. “I stand up for my community.”

    Ekko smiled. “Then we should talk. Zaun needs people like you… and I oughta thank you for saving my parents tonight, too.”

    Zeri smiled back. “Anytime.”

  8. Standing Room Only

    Standing Room Only

    Daniel Couts

    Zaun and Piltover sing to one another. The refrains are full of old wounds, and injustice, and pain. I think it's just me that can hear it, but we all feel it, a hum at the back of everyday life, pushing both Zaunites and Piltovans into strident discord.

    I know they can sing together. I've heard it. Scraps of it—once in a while—little chords that make my heart ache with possibility. And once, a beautiful, crushing tidal wave of harmony and hope. It was the same moment I heard my hextech crystal for the first time.

    The voice sang a thousand hymns at once. Each of them was a pebble in an avalanche, impossible to understand beyond scattered notes. The voice could hear me—and I wanted so badly to keep listening—but it fell back to a fuzzy hum the instant Zaun and Piltover ended their symphony.

    Here in the Entresol, where I hide in the dark behind the stage, that duet should ring clear. The top of Zaun; the bottom of Piltover. The Gray lingers, smearing grime across hammered Piltovan bronze. Zaunite chem-lamps scatter the colors of Piltovan stained glass across Zaunite cobbled streets carefully engineered with Piltovan tools.

    And folk from both cities make their way here, bringing that rapturous soul-song only I can hear. Zaunites pour in from below, a thousand different instruments strummed with tuneless enthusiasm. Kids taunt and jeer, while older folks usher them along, searching for a moment’s peace. Piltovans march down in trumpeting waves, inquisitive and bright and proud. They come by descender, or by the stairways and ramps connecting to the overhead Promenade, the Entresol’s posh Piltovan twin. They laugh and joke together, gesturing appreciatively at the quaintness of our makeshift open-air theatre.

    It’s exciting, at first. I’m so happy they’re all here. I close my eyes and tune to my crystal, pleading for it to speak again.

    But the crystal emits that same warbling, distant hum, a presence there and not there. Even that fades to a murmur as the songs clash, turning duet into duel. Piltovan laughter lapses into sneering discomfort. Zaunite shouts quiet into indignant scowls. And, almost as if they’d planned it, the crowd organizes into two perfect, separate halves.

    This is what it means to live in Zaun and in Piltover. The Entresol’s a place to come together, sure, but not to connect. Only because the cities have to touch, somewhere. I watch as one Piltovan trips, nearly crossing that perfect gap between them, only for two of his fellows to catch him and bring him protectively back into the fold.

    Ugh! They’re all here for the same reason! Why can’t they put their guards down for, like, one moment and just be with each other?

    Why do I always think it’ll change? I’m just one person. Just Seraphine. Who could barely even leave her house for how many years? How am I supposed to make them see that it could be different? Why do I think I can?

    Why did I ever think I could?

    The lights come on, and the shock makes me realize I’ve been holding my breath. I feel the chill on my forearms, the mic in my shivering grip. I look at the crowd. There are a few appreciative whoops, but mostly they’re focused on keeping separate from the other side. I take a breath.

    A pure, familiar note of soul-music rings out to me from the Piltovan audience. I look over and see Schala’s tired smile, beaming up at me from a crowd that melts for a moment into the background as I’m swept up in her song. During visits to my parents’ shop, Schala would tell me about her thesis, reading dramatically from it like an eager parent would a storybook. She’d tell me what had changed since the last time it had been rejected by the college. “Seventh time’s the charm” was what she said the last time we talked. But even back then, I could hear the doubt edging into her optimism. Six rejections, and she was still facing forward. But it was through a cloud of doubt: Should she maybe be doing something else with her life?

    Her self-doubt nestles into mine, and the next breath comes a little easier.

    Another song joins the melody, this time from the Zaunite crowd. I look over and see Roland, an absolute artist of a silversmith. I’d first been drawn to his little workshop by the sound of music. He’d piled crates and supplies all on one side of the shop to make room for a handful of kids who were using the corner for what looked like band practice. He said that the ruckus made it easier to focus, that he needed the sound more than the space. That he might need to get used to such a small room if his next design didn’t sell.

    Roland’s song twists with Schala’s in my head, one drums and brass and gravel, one wind and horns and hushed vocals. They couldn’t sound more different, but something just makes it work somehow. One song full of self-doubt, the other, fear for the future.

    But there’s something else. A sturdy, rolling, endless beat that keeps their songs from spinning out into singular, dying notes. It’s the same beat in both songs. Schala loves her work, and Roland his.

    Their determination finds mine, snatches it from a fall into darkness.

    The next breath is sweet.

    I don’t need to solve everything. I’m not here for that. Neither are they, and that’s okay. I listen for the crystal, and its steady rhythm builds and rumbles, indistinct but there. I want to reach out, and I only know one way how.

    I close my eyes and let myself be filled with Schala’s song and with Roland’s. I imagine their struggles. Schala, chewing on a pen until her eyes widen in epiphany and she writes the perfect conclusion to her thesis. Roland, one eye closed tight as he gently, gently, shapes the last detailing into an ornate silver frame, then stands back with a grin and a sigh when he knows it’s perfect. Tiny explosions crawl across my shoulders, up my spine, into my head, and music lights my whole body on fire.

    I sing.

    Maybe our voices are quiet alone. Maybe mine’s quiet alone. But I’m not. We’re not. I don’t hold anything back, because I know they don’t either. The panic, the fear, the self-doubt. I pour it all into the song, heaps of it, so much that I want to cry. Our songs are droplets of rainwater on a windowpane. Schala’s swirls itself into mine, and we become a little stream. We find Roland, happy to be caught up in our motion. Together, we find the crowd, each droplet gathering another and another and another until we’re a flood of song and feeling.

    That flood grows louder and louder as the crowd, silent but for the swell of their souls, opens to the music. Once, I would have gotten lost in this storm of sound. But I have Roland, and Schala, and myself, and we feel what they feel. They know what drives us, what drives me. I’m so grateful. I’ll make sure they know that, too. I push that feeling into a single note, and in that moment, I know the music we’re making could pierce the heavens.

    The song ends, and my eyes open to the crowd. A single entity greets me, raucous and cheering and surging together toward the stage. Not a cobble in sight. My muses have found one another in the center of the crowd, and I can’t tell anymore which side is which.




    The Entresol’s a beautiful place. I’ve got the best seat in the house, a hidden little corner table where a lucky patron can sit in secret silence, sip a hot cup of tea, and watch the world pass by.

    My show ended a few bells ago, but the crowd stuck around, talking and laughing together. Local businessfolk took quick advantage, opening up shop and ferrying out tables and chairs. My stage, powered down and pushed off to the side, has become a makeshift playground, where Piltovan and Zaunite kids are challenging one another to various antics. I can feel the charge in the air, excitement and wonder and that airy feeling you get on days you never want to end.

    I sit back, put both hands around my steaming mug, close my eyes, and smile. They all make such wondrous music. Piltover and Zaun continue their duet, if only for a little while.

    A familiar voice rumbles through me, faint but urgent. My soul soars even as my heart starts to pound. I don’t know what I’ll hear, whether we’ll understand each other this time, how long we have. I only know that it needs to be heard.

    Its song lifts in an orchestral swell, and I brace for the avalanche. It has so much to sing, and just me to hear it.

    But I won't ever stop trying to listen.

  9. Zac

    Zac

    Zac is the product of a toxic spill that ran through a chemtech seam and pooled in an isolated cavern deep in Zaun’s Sump. Despite such humble origins, Zac has grown from primordial ooze into a thinking being who dwells in the city’s pipes, occasionally emerging to help those who cannot help themselves or to rebuild the broken infrastructure of Zaun.

    A group of Zaunite children first encountered Zac when they were out skimming rocks over a sump pool and some of the stones were thrown back. The “Returning Pool” became well-known to Zaun’s Sump dwellers, and eventually drew the attention of a shadowy cabal of chemtech alchymists. Over the protests of the local residents, the alchymists pumped the contents of the pool into vats and carried the substance back to their laboratories for experimentation.

    Via a series of experiments designed to test negative and positive reinforcement techniques, the alchymists discovered the coagulate mass within the pool appeared to have psychotropic tendencies. Simply put, it mirrored whatever stimulus was provided to it. If treated well, it responded with childlike glee and playfulness, but when its response to pain and aggression were tested, the alchymists lost numerous augmented sump-scrappers in the ensuing destruction.

    Most of the alchymists attributed this to nothing more than a simple reflex response, but two among their number weren’t so sure. They questioned the morality of experiments that seemed entirely driven to produce a creature of unmatched aggression. When the pair dug further, they discovered the project was being funded by Saito Takeda, a Chem-Baron with a notoriously violent temperament and reputation for bloody gang warfare. The implication was clear; Takeda sought to develop a fighter who could shrug off mortal wounds, squeeze into places humans could not and who would obey any command. They also discovered the project’s true name; the Zaun Amorphous Combatant.

    As they pondered the best course of action, the two dissenting alchymists saw more than just a mirroring of whatever stimulus was applied to the viscous gel. They saw behaviors manifest without any obvious stimulus - behaviors consistent with sentience. They came to know the creature as Zac and concluded that he exhibited the behaviors of a thinking, feeling being. They brought their findings to the spindle-limbed leader of their research team, but their concerns were ignored.

    Unwilling to let the matter drop, they began their own covert efforts to counter the violent teachings of the rest of their team. They sought to show Zac right from wrong, exposing him to acts of altruism and generosity. Their efforts bore fruit, with Zac showing sadness when one of the researchers hurt her hand and reacting badly when another killed a rat in the laboratory. Eventually, they could no longer tolerate the cruel experiments being done to Zac by their fellow alchymists.

    One night, during Zaun’s Progress Day remembrances, when the laboratory was empty, they drained Zac into a wheeled septic tank and dragged him to a far distant part of Zaun. When their act was later discovered, the footsoldiers of Baron Takeda sought them out. But Zaun is a big place, and the researchers were able to hide from their pursuers. They had thought to give Zac his freedom, but Zac did not want to be released, for he now considered the two researchers his family. They alone had shown him kindness, and he wanted to learn more from them. In truth, they were pleased by his reaction, for they had become so fond of Zac that they considered him their adoptive son.

    To stay hidden from Takeda’s men, they changed their identities and appearance, taking up residence in a remote part of the Sump, far from prying eyes. Zac learned to mimic their voices, and quickly adapted to shift his gelatinous mass into the required shapes to form sound. He lived alongside his adoptive parents for many years, hiding when necessary in sump pools or in the cracks in the cliffside rocks. His ‘parents’ told Zac of the world in which he lived, how it could be beautiful and full of wonder. They showed him the moon rise over the Sun Gates, the play of rainbow light on the stained glass roofs of Zaun’s commercia halls, and the bustling, vibrant beauty of their city’s heart. They also explained how the world could be cruel and harsh, and Zac learned that people were sometimes mean and unkind, hateful and prejudiced. Zac rejected such behaviors and helped his parents where he could as they used their skills to aid the people around them without attracting undue attention.

    They did what they could to treat the sick, mend broken machinery or otherwise put their chem-knowledge to benign use. These were golden years for Zac, and he roamed Zaun through its almost limitless network of pipes and through the many cracks in its bedrock. As much as Zac was a sentient being, too much stimulus from his environment could sometimes overwhelm his senses and cause him to temporarily absorb the dominant emotions around him, for good or ill. Oft-times he couldn’t help getting involved in aiding the oppressed and downtrodden against thuggish bullies; leading to rumors of his presence spreading through Zaun. Though the majority of tales were of him helping, others attributed destructive events to Zac; a factory destroyed or a crevasse ripping open in a Sump neighborhood.

    Eventually, those rumors reached the ears of Saito Takeda, and he sent a band of augmented thugs to retrieve what he saw as his property. His alchymists had been attempting - without success - to replicate the process that had created Zac from droplets left behind in his vat. Takeda wanted the creature returned, and his augmented heavies surrounded Zac’s parents’ home and attacked. They fought back, for they were chemtech researchers and not without esoteric means of defending themselves, but their defiance could not last forever and eventually they were killed, despite Takeda’s order that they be taken alive.

    Zac had been exploring subterranean seams far below Zaun, but sensed his parents’ distress and raced back through the pipes of the city to the rescue. He arrived too late to save them, and the fury that overwhelmed him upon seeing their bodies was unmatched by anything the baron’s men had ever seen. Zac attacked in a ferocious display of stretching, smashing, and crushing. In his grief and anger, he demolished dozens of nearby dwellings, and by the time the battle was over, all the augmented thugs were dead.

    When the heightened emotions of battle drained from Zac’s consciousness, he was overcome with remorse for the homes he had destroyed, and vowed to continue the good work done by his parents. He helped rebuild what he had destroyed, but as soon as the work was done, he vanished into Zaun’s vast network of pipes.

    Now Zac lives alone, dwelling in the tunnels and caverns threading Zaun, and bathing in the emotions of the city’s inhabitants. Sometimes this enriches him, but other times it saddens him as he takes on both the good and bad of the city. He has become something of an urban legend among the people of Zaun, a mysterious creature that sometimes emerges from cracks in the rock or a section of damaged pipework. Most times this is to help those in need, but in times of trouble, when the city’s moods turn grim, his appearance can be cause for trepidation.

  10. The Collection

    The Collection

    Rayla Heide

    A horrible scraping of metal chains drifted over the fields. Outside, an unnatural fog rendered the moon and stars all but invisible, and the regular hum of insects fell silent.

    Thresh approached a ruined hovel. He raised his lantern, not to see his surroundings, but to look inside the glass. The interior of the lantern resembled a starry nightscape with its thousands of tiny green glowing orbs. They buzzed frantically as if trying to escape Thresh’s gaze. His mouth twisted in a grotesque grin, teeth glinting from the glow. Each of the lights was precious to him.

    Behind the door, a man whimpered. Thresh sensed his pain, and was drawn to it. He knew the man’s suffering like an old friend.

    Thresh had only appeared to the man once, decades ago, but since then the spectre had taken everyone the man held dear: from his favorite horse to his mother, brother, and recently a manservant who had become a close confidant. The specter made no pretence of natural deaths; he wanted the man to know who caused each loss.

    The spirit passed through the door, scraping his chains as they dragged behind him. The walls were damp and ingrained with years of grime. The man looked even worse: his hair long and matted, his skin covered in scabs - angry and raw from clawing. He wore what had once been fine velvet clothes, but were now little more than torn, tattered rags.

    The man shrank from the sudden green glow, covering his eyes. He shook violently, backing away into the corner.

    “Please. Please, not you,” he whispered.

    “Long ago, I claimed you as mine.” Thresh’s voice creaked and stretched, as if he had not spoken for an age. “It is time I collect...”

    “I am dying,” the man said, his voice barely audible. “If you’re here to kill me, you’d best hurry.” He made an effort to look at Thresh directly.

    Thresh stretched his mouth wide. “Your death is not my desire.”

    He set the glass door of his lantern slightly ajar. Strange sounds came from within - a cacophony of screams.

    The man did not react, not at first. So many screams emerged that they blended together like scraping glass shards. But his eyes widened in horror as he heard voices he recognized plead from Thresh’s lantern. He heard his mother, his brother, his friend, and finally the sound he dreaded most: his children, wailing as if being burned alive.

    “What have you done?” he screamed. He scrambled for something to throw - a broken chair - and threw it at Thresh with all his strength. It passed through the spectre harmlessly, and Thresh laughed mirthlessly.

    The man ran at Thresh, eyes wild with fury. The spectre’s hooked chains whipped out like striking snakes. The barbed hooks struck the mortal’s chest, cracking ribs and piercing his heart. The man fell to his knees, face twisted in delicious agony.

    “I left them to keep them safe,” the man cried. Blood gurgled from his mouth.

    Thresh wrenched his chains hard. For a moment, the man did not move. Then the ripping began. Like a rough-spun sheet being slowly torn, he was excruciatingly pulled from himself. His body convulsed violently, and blood sprayed along the walls.

    “Now, we begin,” said Thresh. He pulled the captured soul, pulsing brightly from the end of the chain, and trapped him within the lantern. The man’s hollow corpse collapsed as Thresh departed.

    Thresh followed the curling Black Mist away from the cottage with his glowing lantern held high. Only after Thresh was gone, and the fog dissipated, did the insects resume their nightly chorus and stars once again filled the night sky.

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